Who Owns Your Rights?

 

 

In Publishing News this week,

 

The EU accessibility act came into force this week. This is aimed at publishers who are selling into the European Union. All books need to be accessible. This doesn’t mean that they have to be widely available although that might help. They have to be accessible to the disabled community. Dan Holloway has a quick rundown on what that means for authors and publishers.

 

Publishing Perspectives reports on the recent court decision over book banning in favour of the parents and how this might impact the freedom to read going forward in the United States of America.

 

Publishers Weekly reports on the American Library Association conference and what the main topics of conversation were. AI and its biases. There was a lot of chat about the impact of new tech trends on libraries and on hand were child sized robots that helped children with finding and checking out books. (It is almost the age of the Jetsons- where is my flying car?)

 

This week Mark Williams looked at two news items that expose the current publishing models shortcomings. First was the news that the Bond franchise had been bought by Amazon who are bringing out modern James Bond books to tie in with their new game. So where does that leave the original publisher? Following right on the heels of this is the Romantasy juggernaut Sarah J Maass who has licensed her brand into a global marketplace and left her traditional publishers out of the mix. 

When I am asked what is the most important subject to learn in publishing, I always answer intellectual property and contracts. These two articles highlight the importance of intellectual property and who owns it. For decades publishers have been asking for sweeping contract rights and then not doing anything with them. Savvy agents and authors keeping these rights back have discovered other entertainment companies value these licenses. Will Publishers double down on rights demands? Remember authors, you can put time limits on rights in the contract and always put a rights reversal time clause in. 

 

Victoria Strauss has a great article for Writer Unboxed on bankruptcies and why the bankruptcy clause in your contract might not protect you. This is a timely article after recent publisher bankruptcies.

 

Richard Charkin muses on globalization and the publishing trade. Printers are now global, as are Newspapers. I wonder when rights by country will fall by the wayside. 

 

John Green has a nifty little video which breaks down What the #1 New York Times Bestseller List Actually Means. Sometimes it doesn’t take much for a book to make the list.

 

Gabriela Pereira has a great article on How to deal with Failure and Rejection. You need a writer angst jar. This is a great tool to get you over the hump.

 

Joanna Penn has an interesting interview with Betsy Lerner this week. Betsy has decades of experience in the publishing world doing pretty much every job in it. She talks about finding your voice across the medium and loving book marketing.

 

Writer Unboxed has a new contributor (Gen Z ) Kit Aldridge who has an article on AI – The Big Bad Wolf or Quiet Assistant for Writers. All the comments are interesting, especially from the big names in the community. The article is generally not in favour.

If you are on the fence about this technology. You are not alone. However, the changes are so rapid that you may find that some knowledge is better than none at all. Joanna Penn’s recent Interview with Thomas Umstattd on Book Discoverability in the age of AI shows another side of this technology.  

 

It’s July and you may be looking at your goals for the year and wondering what happened. Robin Blakely has a great article on redirecting yourself and your goals.

If it is all too much check out the Frustrated Writers Colouring In Book

 

In the Craft Section,

Building believable alternate histories- Daniel Ottalini

When your draft is a mess- Stuart Wakefield- Bookmark

The playbook for antagonists- Becca Puglisi

The secret to writing witty characters- K M Weiland- Bookmark

Ending apostrophe abuse- Debbie Burke- Bookmark

 

In The Marketing Section,

TikTok marketing demographics for authors- Sandra Beckwith- Bookmark

Writing an author bio (with AI)- Kindlepreneur

How to publish a children’s book- Reedsy and Karen Inglis- Bookmark

Creative hooks drive more ad clicks- Bookbub- Bookmark

Joanna Penn interviewed Simon Patrick about Eleven labs and Producing AI narrated audiobooks. This is an interesting insight into how Eleven labs works, and how authors can use them. 

 

To Finish,

Do you remember the Readers Digest books? Condensed versions of four novels bound in hardback and available mail order on a monthly subscription. Loads of homes had them. Folio Editions borrowed a similar concept but went the opposite way into high end productions. Publishers Weekly looks at how they have reinvented themselves starting with Public Domain books and are now into licensing Folio editions of in print books. It is all about Intellectual Property and what you do with it.

 

Maureen

@craicer

 

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If you want the weekly blog in your inbox subscribe to the Free Substack version.

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Reinventing Ourselves

 

In Publishing News this week,

 

Publisher’s Weekly writes about the reinstatement of BookCon for American publishers.  Back in pre covid days America had Book Expo which died. While other countries managed to keep their big Book Fairs alive, The United States of America struggled. Enter Book Con 2026 rising from the ashes and focusing on the young trend setters and readers of today. 

 

Publisher’s Weekly also reports on the mixed results to lawsuits trying to halt or reestablish the Institute of Museum and Library Services. This is of huge importance to libraries who rely on funding from this organization in the USA. 

 

Mark Williams looks at the partnership between Mattel (the toy brand) and Open AI. As a teacher and publishing commentator he is drawing some big links with childrens toys and the familiarity the next generation have with AI already. If you are a children’s publisher or writer keeping an eye on this is a must.

 

There is another audiobook award out there. Based in the United Kingdom it’s The Speakies. Dan Holloway looks at how to enter.

 

Staying in the UK, Publishing Perspectives writes about the upcoming UK Publishers Licensing Services conference and what the main topics are. The PLS collects and distributes money from copyright licenses. The 3 day conference is free.

 

Meanwhile, over in Europe there are meetings and summer schools happening for publishers about the new EU rules of accessibility in publishing. Can your books be read by the disabled community. How will you implement changes to your publishing program if you sell in the EU?

 

Recently I listened to Joanna Penn and Thomas Umstattd talking about book discoverability in the age of AI. This was so interesting I listened to it again and sent the link to a few people. Check out the transcript or download the podcast. Food for thought.

 

David Beer of 3 Quarks Daily has an interesting article entitled Will the fear of being confused for an AI mean that we will now write differently? This is an interesting article on deep learning and being human.

 

If you haven’t checked out the Indie author magazine you really should. Chelle Honiker is the programming director of the Author Nation conference and has been the driving force behind the indie author magazine for a few years now. They have great articles on all sorts of topics. Recently Chelle compiled a group of articles on mastering your writing time.

 

If you have been wondering how to get all your virtual events, merchandise sales, book talks, launches etc under one roof check out Benventi they may just have the solution. It’s always interesting to see how new teams approach working with author pain points.

 

Sara Hildeth has an interesting article on Literary Elitism and Literary Egalitarianism.

Why do people push the notion that to read Literary works they must be among the elite thinkers? Each side has entrenched views on the subject. Do we need to review the definitions again?

 

Kathleen Schmidt writes an interesting article on publishing imprints and the marketing budgets. The Vicious Cycle of Book Publishing. This is of interest if you are wondering why your book is not gaining traction. It could be that there just isn’t any money in the budget. For instance, this month is when publishers work out their Christmas promotion budget.

 

In The Craft Section,

How to prepare your manuscript for a developmental edit- Jenn Windrow- Bookmark

Character building – Dave King

Scene segmentation- C S Lakin- Bookmark

How long should a denouement be- September Fawkes- Bookmark

360 conference highlights-Debbie Burke- Super interesting!

 

In the Marketing Section,

7 ways to repurpose your book content- Sandra Beckwith - Bookmark

Disrupting book marketing venue by venue- Lynette Burrows- Bookmark!

How to get free book advertising- Brian Jud

Why I dropped the WordPress website for Payhip- Kris Maze- Bookmark

 

To Finish,

Every now and then I wonder if anyone reads the blog. I have been writing it for over seventeen years. Sometimes it is easy to get discouraged and think blogging or compiling my weekly roundup of publishing news, writing, and book marketing tips is old hat and no one is really interested. Then I remember the little comments and emails and my newsletter subscribers who take the time to flick me comments and encouragement and I put my head down and get back to work. This week Rachel Thompson had a fantastic article on why blogging is still relevant. Of course I haven’t followed all her fabulous tips. I should have been blogging about children’s books seeing as how I write them. Ah well. Maybe that’s something I could be thinking about starting. 

In the meantime, thanks for getting all the way to the bottom of another weekly blog.

 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

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Fishhooks and Bouquets

 

In Publishing News this week.

In headlines around the world, Taylor Swift bought back her original master recordings of her first six albums. Why have I put this news in my weekly blog? It all has to do with copyright and the value of that copyright. If you read the saga which starts when 14 year old Taylor signed her first 6 albums away to the record company in perpetuity, there is a moment where the writer winces with recognition of a contract that takes all rights. A trail blazing young icon like Taylor is letting the music industry know that copyright matters. In return I hear that music contracts are now being tweaked to include percentages of ticket sales and merchandise which was the only way artists could make a living if they were owned by a record company.

 

Contracts are very much on the mind of the writers caught up in the Unbound Bankruptcy scandal. Many writers discovered that even though they were owed royalties,(thousands of $$) they were unsecured creditors in the case of a bankruptcy, while their books were seen as assets to be sold on under bankruptcy legislation. This is exactly what happened to the assets of Unbound. What stings is that some of the original principals of Unbound rebranded themselves as Boundless and bought the assets. You can imagine how this has been seen. Most of their staff has walked out the door in protest. Bankruptcy law trumps contracts unless you have a clause saying that if the publisher goes bankrupt you get your rights back immediately. This clause needs to be inserted in the contract by the writer. A publisher will never put that clause in by themselves.

 

Booktok has been questioning inequality in publishing. This week an Australian rugby star and new social media user suddenly got a book publishing deal on basically nothing but looks and potential. Whether they can write is another question altogether.

 

Recently Publishers Weekly hosted a day long US Book Show. Big topics for attending publishers were how to navigate the political landscape to keep publishing books.

Also in the news was the rise of dark romance sales in the US and another survey about how the world seems to be embracing audiobooks. The sales are now almost neck and neck with print. 

 

Kathleen Schmidt has a post about how toxic Threads has become for the book community. It seems that pile on behaviour and bad mouthing each other is still with us, even though the book community left Twitter because of it. Rule: Don’t engage the trolls.

 

If you read the above paragraph and thought ‘it was probably AI bots’ you might need a lie down after reading Dan Holloways post on how AI was taught to interact with Reddit users, and also to recreate Agatha Christie into a writing teacher. Dan also looks at the Bookbub survey on how many writers are using AI in their work. The answers may surprise you.

 

Sean Kernan has an excellent article on how you can tell when ChatGPT is used to write something. This may be of use to writing competitions to weed out the bad apples.

Or as one kindle reviewer put it in a 1 star review, ‘I thought it was bad and then I found the pasted in prompt from Chat GPT in the middle of the paragraph asking for the novel to be written in the style of another writer.’

 

Mark Williams offers his own acerbic take on how publishers should be using AI licensing deals. The genie is out of the bottle- figure out a way to use it for the benefit of the writers.

Anne R Allen writes that Book Scammers are out there still with a quick roundup of some new twists on old scams. Yes of course, it’s easy to buy a slot on the New York Times Billboard in Times square. Just put your money into a Nigerian prince’s bank account.

The New Zealand Book Awards for Children and Young Adults shortlist is out. This year the list embraces our place in the Pacific with a record number of pacific themed books in the shortlist. Congratulations to all the shortlisted authors and illustrators. It is super hard to judge these awards, I know because I have judged them. There will have been many books that will have nearly made it. If they published a long list like the adult book awards we wouldn’t be asking every year why some brilliant book hasn’t made the list. The number of entries must be nearly the same by now.

 

If you are wondering how to get started with your latest novel idea why don’t you try a Dear Reader letter to yourself. Tara Alemany writes the questions you should be asking the reader about what they want to read. Doing this exercise has a two fold benefit, it focuses your mind on the story you want to tell and it gives you some ideas for marketing it after you’ve written it. 

 

In The Craft Section,

Plan like a pro Write like a rebel- Tammy Burke

The 3 act structure- Gabriela Pereira- Bookmark

Creating escalating complications- Lisa Poisso- Bookmark

Overexplaining in dialogue- K M Weiland- Bookmark

When the good guys must die-P J Parrish- Bookmark

 

In The Marketing Section,

Author Automations Start small layer with purpose - Chelle Honniker- Bookmark

10 ways to boost sales with Google Play-Indie author magazine- Bookmark

How to market your audiobook- Rachel Thompson- Bookmark

How to get more media- Penny Sansevieri

Launching your book successfully with preorders- Draft2Digital- Bookmark

Book Marketing with 10 AI prompts- Fazia Burke

 

To Finish

If you haven’t checked out Storybundle yet, you should. It is a collection of writing craft books by great authors. You get a great collection, the writers get the money, and you get to support a great charity. It’s a total win win win! It is only available for another week and then it’s gone. 

Give it to yourself for making it half way through the year. 

 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

Photo by Kasia Derenda on Unsplash

Photo by Slava on Unsplash

Is it Good Literature?

 

 

In Publishing News this week,

 

If you are a comic book publisher by now you must be suffering severe stress at the uncertainty of the Diamond Comics distributor woes. They have a buyer. They haven’t a buyer. Their potential buyer is now suing them. Publishers Weekly tries to keep everyone up to date.

 

Also suffering is the Children’s Publishing community with the news that Albert Whitman and Co is in bankruptcy after 106 years of trading. After a series of disastrous moves and the failure to pay people, usually the first sign of a sinking publishing ship, the company has closed. But will anyone get their money back?

 

The money is being handed out by Spotify - $100 million this year already. Mark Williams looks at the symbiotic nature of podcasting and audio books and speculates what else Spotify might be doing with the spoken word.

 

This week Canada had a national election that highlighted what happens when another countries president tells you how to vote. Amongst the first laws that Canadian authors want fixed is the poorly worded copyright law that is hurting the creative community in Canada.

 

The Book Industry Study Group (BISG) had their annual meeting in New York. The theme – Move Fast and Fix Things. Publishing Perspectives reports on the outcomes from the study group that identifies pain points in publishing and how to fix them.

 

Back in court are five well known authors challenging the legality of the book banning in Florida. Several states are waiting on the outcome as it will set a precedent on whether their book bans are lawful. It is slow going but the outcome is important. Luckily these authors have the financial resources to see it through.

 

Dan Holloway reports on moves to make AI generated films eligible for The Oscars. While you are pondering this, check out Wiley (Academic publishers) guidelines for using AI in book and journal writing. My thought is that by the end of the year most publishers will have specific guidelines like these. After all, if they are using it in their offices can they really demand others don’t?However, be very transparent in your AI dealings. Publishers won’t back you up if there is a court case. You are on your own, and they may just sue you to make the point.

Use AI as a tool to help creativity. Your author voice is original, and an AI is not. An algorithm can’t feel like a human can. 

 

Amy Bernstein has a great post on Jane Friedman’s blog about using fiction techniques to make your nonfiction book better. Borrow From Fictions Toolbox to Elevate Your Nonfiction Book.

 

Andrea Grigg has an interesting post on Writers in the Storm about Emerging from Writers Block. When you have tried everything and beaten yourself up for having writers block it might be the permission to quit that frees you. Everyone’s creativity is different. 

 

Two excellent craft articles caught my eye this week. Becca Puglisi’s Build Character Growth Milestones into your story and Katie Weiland’s impressive take on the Corrupt Character Arc. These are two outstanding posts on the craft of writing compelling characters. 

 

In The Craft Section,

Trigger questions for world building- Jaime Buckley- Bookmark

Genres of writing – Storygrid- Comprehensive!

Building scenes with beats- C S Lakin- Bookmark

The 5-4-3-2-1 of scene setting- Diana Giovinazzo

Why you should avoid bored protagonists -September Fawkes- Bookmark

 

In The Marketing Section,

3 author mistakes when marketing- Sandra Beckwith

10 strategies to grow your author newsletter -Rachel Thompson- Bookmark

Where to find readers- Fussy Librarian

Is Kindle Unlimited right for you – Penny Sansevieri- Bookmark

Approaches to marketing – Story Empire- Bookmark

 

To Finish

 

A long time ago before we had children… my husband and I used to hold Port and Poetry nights for our friends. It was our version of a literary salon. Friends would arrive with Port… or something else and their favourite poems and we would read them out loud. Sometimes there would be a theme, or we would just gossip about world events. When the kids came along we didn’t hold so many, but they were allowed to read out their favourite poems when we did. The Guardian recently wrote about the new literary salons being held. Funny, Sexy, and a bit Weird- how the young are doing literary salons now. Take an odd venue, stuff it full of people- bring a DJ, and read anything you like. 

Literature, always in fashion!

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

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Reading Success

 

London Book Fair is over and in comes Bologna Children’s Book Fair. I like to think it’s the most important because without creating readers the other book fairs wouldn’t exist. 

Publishers Weekly has a deep dive into what the big topics are at Bologna. The crisis in early literacy is worrying and have the covid years caused a reading slump or is it cyclical?

 

Graphic novels are now one of the biggest formats at the Bologna Children’s Book Fair. There are many interesting moves in this area reports Publishers Weekly. One thing that caught my eye in this article was audio books scripts generated by graphic novels.

 

The awards for Children’s Publisher of the year at Bologna is always a great event. The world is divided into six continent-ish zones and so there are six winners. Publishing Perspectives has a run down of the winners. Congratulations to Mila’s Books from New Zealand which took out the Oceania prize.

 

In another attack on literacy in the United States-The staff of The Institute of Museum and Library Services – the body that oversees funding for libraries have been placed on administrative leave according to Publishers Weekly. Hopefully their jobs can be saved.

 

Also closing their doors is NaNoWriMo. After a turbulent year and falling memberships the organization has closed. NaNoWriMo was a great idea and many bestsellers got their start in the white hot frenzy of writing a novel in a month.

 

Ingram Spark’s new book to screen database, MediaScout is now live. Publisher’s Weekly reports they already have an impressive number of books in the catalogue.

 

Mark Williams looks at the latest fallout of Meta AI and the proposed tariffs that had a good portion of the world on edge. While Mark see’s the value in some AI tools on the basis of its coming anyway we may as well use it. Dan Holloway looks at the impact AI has had on translators and artists. 

 

Teri Case writing on Jane Friedman’s blog looks at how AI made her want to trademark her name and how she went about it. This came about because Jane Friedman’s name had been stolen and pasted on AI generated books last year. Amazon wouldn’t take the books down because Jane hadn’t trademarked her name. 

 

Kathleen Schmidt has a fascinating article on book publicity. She dives into when and how to connect to your audience and book publicists. This is a must read if you have a book ready to release into the world.

 

Sandra Beckwith has a list of useful apps and tools to help the writer.

 

Donald Maass writing on Writer Unboxed has an excellent craft article on the hidden reason why readers read. Donald has excellent advice on how to craft your plot to hit all the right cues. A must read!

 

In The Craft Section,

The wolf under the table- J Scott Coatsworth

How conflict enhances your story- Ellen Buikema- Bookmark

4 stages of knowing in character arcs- K M Weiland – Bookmark

Using writing prompts to unstick yourself- Savannah Cordova

Dialogue mechanics- Becca Puglisi- Bookmark

 

In The Marketing Section,

How to get accepted by a distributor- Bokbaby- Bookmark

Marketing tips for a new genre- an example - Bookbub

Author swag and merch- IWSG- Bookmark

Amazon central changes – Penny Sansevieri- Bookmark

How to sell on Amazon – Dave Chesson – updated- Comprehensive!

 

To Finish

The world can be filled with negativity everywhere you look. It’s hard to stay upbeat when you feel bludgeoned by the daily news. In writing we can so often feel discouraged about our work. Harper Ross had a timely post on Writer Unboxed last week -The importance of defining success for yourself. This is a little reality check to recognize the wins in your creative life and celebrate them.

 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

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Looking For A Life Ring.

 

 

In Publishing News this week,

 

Just after I published last week’s blog news broke about Meta forcing a book take down. I published a note about it in my Substack blog version. The Streisand Effect is in full flight as many are picking up the book to see what the fuss is about. A tell all about the Meta company by an ex -employee. The author is barred from talking about the book. Kathleen Schmidt has the details. The Kiwi author was due to be interviewed on our state radio last Friday but the take down went into effect forcing the termination of the interview.

 

The London Bookfair is over for another year and Publishing Perspectives talks about their impressions of the fair. It looks like the new venue isn’t wonderful, but the deal hall is getting bigger. What happens when you sacrifice comfort for turnout at a bookfair? 

 

While the UK had a seven week consulting period on AI and copyright, the US has just had a three week consultation period on the same issue. Publishing Perspectives looks at publishers viewpoints on this and their warning over the fair use defense. US publishers were scrambling to put in a submission. This is a comprehensive article, and they draw on responses from the Associations of American Publishers. They quote from the American government AI action plan.

The American “AI Action Plan” is not as detailed and structured an approach as the British proposal is. Instead, the US plan—described in the current administration’s fondness for comparative bravura—”will define priority policy actions to enhance America’s position as an AI powerhouse and prevent unnecessarily burdensome requirements from hindering private sector innovation. With the right governmental policies, continued US artificial intelligence leadership will promote human flourishing, economic competitiveness, and national security.”

 

Publishers Weekly has an interesting article on a survey of Spanish language publishing professionals 75% of whom believe that the adoption of AI is unavoidable. Diving into the article there is a sort of cost benefit analysis. It is a great tool, but it could threaten jobs. Is there an upside?

 

Mark Williams points out that the robot rebellion is underway with an AI refusing to do the work of a coder. Mark also looks at lessons for book publishers learned from watching television morph into streaming. He says that publishing history is active resistance, passive acceptance, and eventual embrace. 

 

Bloomsbury is expanding its imprints. Harry Potter may have saved them, but Sarah J Mass is keeping them going and now they are acknowledging this by having a dedicated imprint for Science Fiction and Fantasy. It only took them 25 years.

 

Spotify is expanding its audiobook platform to include short form audiobooks from Indie publishers. Dan Holloway writes about this latest move and who will benefit from it.

 

The Alliance of Independent Authors has an interview with Ricardo Fayet of Reedsy on Marketing and what he sees as important for 2025.

 

Darcy Pattison has in interesting article on using AI to do preliminary copy editing. This is how she saves herself time but while she uses these and other tools she does go through a human editor as well.

 

P J Parrish has a great article on giving your secondary characters some love. Do they even have a growth arc in your story? 

 

Oliver Fox has a guest article on Katie Weilands blog which explores an alternative narrative structure. This is thought provoking stuff. We all have a favourite book that seems to break the rules of classic storytelling structure. This approach maybe the structure that resonates with you.

 

In The Craft Section,

2 fantastic articles from September Fawkes on Structuring scenes and Alternative views of basic story structure- Bookmark Both!

How to master the passage of time- C S Lakin

How to write a likable character- Lucy Hay- Bookmark

The 5 leaf clover structure of story genre- Storygrid- Bookmark

 

In the Marketing Section,

How to create email press releases to journalists- Sandra Beckwith

SEO for authors in 2025- Rachel Thompson- Bookmark

Pricing strategies to sell more books- Penny Sansevieri- Bookmark

10 tips for public appearances- Kathryn Craft- Bookmark

What do you do when the book reviewer says yes- Karen Cioffi

 

To Finish,

Who are you online? Michelle Cutler writing on Jane Friedman’s blog has a warning. If you don’t define and present yourself online, others will. How do you define yourself? Has it changed from the first time you put up a website?

 

With all the future talk of AI now becoming present talk, and in your face AI, it is worth dropping into Joanna Penn’s website to checking out all the articles and interviews she has done on the future of publishing. She offers ways to approach the changes that are now here and how to use them. Joanna advocates for using AI as a tool and doubling down on human experiences for your readers. 

We are in another publishing revolution. It might be time to hunt down a life ring for comfort and safety. 

 

Maureen

@craicer

 

It’s nearly time for my monthly newsletter. If you want the best of my bookmarked links you can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate virtual coffee love. Thanks.

 

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