Trying Not To Be Political

 

 

In Publishing News this week,

 

This week the Book Awards for Children and Young Adults in New Zealand happened. I always try to go because I’ve been a past judge. It’s a great time to catch up with colleagues, to meet and celebrate the winners and the new writers coming up. 

We try not to be political. It was hard though, to see the government minister trying to sound as if he was supportive of us when he stopped New Zealand’s chance to be guest of honor at Bologna. We were polite. It was a shame that he left for another engagement after the first award. We could have told him what we really thought.

 

Across the pond in Australia, Danielle Binks writes about why there is a crisis in children’s books – it’s to do with birth rates and short-sighted policies. It’s not political. (much) The problems she outlines can be repeated here or in your own country. Children’s writers and Librarians are seeing it up close already. 

 

Publishers Weekly has a warning that the budget cuts to libraries in the United States are now affecting publishers. This will have a knock-on effect… and we know where that will leave us.

 

Pen America is sounding a warning about school libraries and the increase in book banning lawsuits hitting schools. Pen warns about self censorship and intimidation tactics being used against schools.

 

Publishers Weekly reports the Anthropic AI case and their piracy of authors is heading to the courts with the Judge saying that the three author plaintiffs can represent all their colleagues. This is going to cost Billions!

 

Riding to the rescue of orphaned Unbound authors is publishing company Wilton Square. They will undertake to publish the books for authors who got their rights back. It’s a pity there is no redress for authors owed thousands from sales with no way of getting it. Bankruptcy law trumps contract law. The Unbound mess is a big lesson for authors and agents.

 

Kathleen Schmidt has a great article on publicity. How much publicity is enough? It depends. Some publicity completely hits the wrong audience.  

 

Rachel Thompson has an excellent publication week survival guide. What to do leading up to launch day and then after. This is a print out and stick on the wall post.

 

Kimberley Grabas has an interesting post on harnessing AI to use in author branding. This is when using AI as a tool can be very useful.

 

Kathleen McCleary has an excellent post on Writer Unboxed about the power of WHY. 

How often do you use this word to drill down to the emotion of the story. 

For instance: Why did the politician come to a celebration of children’s literature after he scuttled plans to promote it internationally? Did he think we were happy with his decision and that we wanted to see him speak platitudes? Ok I will be polite and just say, we’ve got some cracking good writers here as the 2025 shortlist shows.

 

In The Craft Section,

How to develop character wounds and misbeliefs- Selen Grace Silver- Bookmark

5 paths to plotting your novels- Janice Hardy

When structure is the enemy- Kelsey Allagood- Bookmark

How to start dictating- Sarah Elisabeth Sawyer- Bookmark

Plot devices- when to use them – Elizabeth Craig

 

In The Marketing Section,

How to write emails without feeling spammy- Phillip Duncan- Bookmark

Free marketing strategies-Steve Higgs

Driving traffic to your website-Linda Dunn- Bookmark

How to write a great blog post – Lisa Tener- Bookmark

Add audio to an eBook- Great podcast from Matty Dalrymple

 

To Finish

In some positive news, The International Kids Literature Quiz started by a fantastic kiwi is getting a new quiz master. The literature quiz has gone from just a local competition to a regional competition then a national competition and then international. It is in its 37^th year and kids from around the world are flying to Johannesburg this week for the international final. The brilliant mind behind it, Wayne Mills, is stepping down as quiz master. Our recently retired reading ambassador, Alan Dingley, is stepping up into the role. He is going to be brilliant. 

The literature quiz is all about kids reading. Let’s celebrate them and their book creators. We are all legends. 

 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the free Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

Photo by Gaelle Marcel on Unsplash

Fishhooks and Bouquets

 

In Publishing News this week.

In headlines around the world, Taylor Swift bought back her original master recordings of her first six albums. Why have I put this news in my weekly blog? It all has to do with copyright and the value of that copyright. If you read the saga which starts when 14 year old Taylor signed her first 6 albums away to the record company in perpetuity, there is a moment where the writer winces with recognition of a contract that takes all rights. A trail blazing young icon like Taylor is letting the music industry know that copyright matters. In return I hear that music contracts are now being tweaked to include percentages of ticket sales and merchandise which was the only way artists could make a living if they were owned by a record company.

 

Contracts are very much on the mind of the writers caught up in the Unbound Bankruptcy scandal. Many writers discovered that even though they were owed royalties,(thousands of $$) they were unsecured creditors in the case of a bankruptcy, while their books were seen as assets to be sold on under bankruptcy legislation. This is exactly what happened to the assets of Unbound. What stings is that some of the original principals of Unbound rebranded themselves as Boundless and bought the assets. You can imagine how this has been seen. Most of their staff has walked out the door in protest. Bankruptcy law trumps contracts unless you have a clause saying that if the publisher goes bankrupt you get your rights back immediately. This clause needs to be inserted in the contract by the writer. A publisher will never put that clause in by themselves.

 

Booktok has been questioning inequality in publishing. This week an Australian rugby star and new social media user suddenly got a book publishing deal on basically nothing but looks and potential. Whether they can write is another question altogether.

 

Recently Publishers Weekly hosted a day long US Book Show. Big topics for attending publishers were how to navigate the political landscape to keep publishing books.

Also in the news was the rise of dark romance sales in the US and another survey about how the world seems to be embracing audiobooks. The sales are now almost neck and neck with print. 

 

Kathleen Schmidt has a post about how toxic Threads has become for the book community. It seems that pile on behaviour and bad mouthing each other is still with us, even though the book community left Twitter because of it. Rule: Don’t engage the trolls.

 

If you read the above paragraph and thought ‘it was probably AI bots’ you might need a lie down after reading Dan Holloways post on how AI was taught to interact with Reddit users, and also to recreate Agatha Christie into a writing teacher. Dan also looks at the Bookbub survey on how many writers are using AI in their work. The answers may surprise you.

 

Sean Kernan has an excellent article on how you can tell when ChatGPT is used to write something. This may be of use to writing competitions to weed out the bad apples.

Or as one kindle reviewer put it in a 1 star review, ‘I thought it was bad and then I found the pasted in prompt from Chat GPT in the middle of the paragraph asking for the novel to be written in the style of another writer.’

 

Mark Williams offers his own acerbic take on how publishers should be using AI licensing deals. The genie is out of the bottle- figure out a way to use it for the benefit of the writers.

Anne R Allen writes that Book Scammers are out there still with a quick roundup of some new twists on old scams. Yes of course, it’s easy to buy a slot on the New York Times Billboard in Times square. Just put your money into a Nigerian prince’s bank account.

The New Zealand Book Awards for Children and Young Adults shortlist is out. This year the list embraces our place in the Pacific with a record number of pacific themed books in the shortlist. Congratulations to all the shortlisted authors and illustrators. It is super hard to judge these awards, I know because I have judged them. There will have been many books that will have nearly made it. If they published a long list like the adult book awards we wouldn’t be asking every year why some brilliant book hasn’t made the list. The number of entries must be nearly the same by now.

 

If you are wondering how to get started with your latest novel idea why don’t you try a Dear Reader letter to yourself. Tara Alemany writes the questions you should be asking the reader about what they want to read. Doing this exercise has a two fold benefit, it focuses your mind on the story you want to tell and it gives you some ideas for marketing it after you’ve written it. 

 

In The Craft Section,

Plan like a pro Write like a rebel- Tammy Burke

The 3 act structure- Gabriela Pereira- Bookmark

Creating escalating complications- Lisa Poisso- Bookmark

Overexplaining in dialogue- K M Weiland- Bookmark

When the good guys must die-P J Parrish- Bookmark

 

In The Marketing Section,

Author Automations Start small layer with purpose - Chelle Honniker- Bookmark

10 ways to boost sales with Google Play-Indie author magazine- Bookmark

How to market your audiobook- Rachel Thompson- Bookmark

How to get more media- Penny Sansevieri

Launching your book successfully with preorders- Draft2Digital- Bookmark

Book Marketing with 10 AI prompts- Fazia Burke

 

To Finish

If you haven’t checked out Storybundle yet, you should. It is a collection of writing craft books by great authors. You get a great collection, the writers get the money, and you get to support a great charity. It’s a total win win win! It is only available for another week and then it’s gone. 

Give it to yourself for making it half way through the year. 

 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

Photo by Kasia Derenda on Unsplash

Photo by Slava on Unsplash

Picking Winners

 

In Publishing News this week,

 

The Guardian reported that there was no magic fairy that would help fund Literary Festivals in the UK. Here in NZ we are also facing this fact head on. There is no money. With austere government retrenching across the board the arts are seen as nice to have if we can afford it, but we can’t. The majority of our arts and science funding comes from profits made from government lotteries. The wish to win the big one is the poor man’s dream and the poor artists and scientists dream as well. Wouldn’t it be lovely if the jackpot could be arts funding for ten years or new research labs. The winner could have their name on the trust fund to administer it. Not bad for a $10 lucky dip ticket.

The UK Creators Rights Alliance is gathering steam. The alliance claims to represent more than 500,000 creatives who don’t want their work used by AI companies. There are some big organisations here, but will they see any traction? This could be a last rear-guard effort to man the barricades. 

 

Mark Williams lives and works in Africa. He explains what it is like to watch technology leaps in Africa that other countries had to live through. Remember dial up? Africa went straight to 5G. Is AI going to be the same?

 

Staying with AI- Don’t believe that it is reliable. Randy Ingermanson (Snowflake guy) recently tried using Chat GPT to do some writing for him and discovered that every quote was made up by the AI bot. What to do?

 

Publishing Perspectives reports that on one of the hottest days in the UK the Publishing Association’s sustainability pledge reached 200 company signatories. Publishing without waste, it just makes sense.

 

Story Empire has an interesting post on going to tertiary research institutions to get reliable information. – This is not just universities but also archives and museums. 

 

Dan Holloway of The Alliance of Independent Authors ( Alli) reports on Substack expanding its reach and making it easy for anyone to have a newsletter.

Alli are rejigging their podcasts, if you are a regular listener, and they have just published a super in-depth article on Marketing Strategies.

 

The Insecure Writers Support Group (fantastic group) have a great article on putting together short story collections.

Jeff Goins has an article on 10 steps to writing a book.

 

Katie Weiland has the next installment of her structure series. This is a great resource and well worth following along for some great craft teaching.

 

In The Craft Section,

The art of the outline- James Scott Bell - Bookmark

Story Structure as a fractal- September Fawkes- Bookmark

Use your theme to trim content- Suzi Vadori- Bookmark

7 tips for opening in media res- K M Weiland

5 mistakes writers make in fantasy stories- Lucy Hay

 

In The Marketing Section,

Amazon A+ content- Sandra Beckwith- Bookmark

What does your marketing data say- In depth teaching on data!

Amazon book description generator- Dave Chesson – Bookmark

15 Book promo ideas – Penny Sansevieri- Bookmark

Audiobook marketing using virtual voices- Penny Sansevieri

 

To Finish

Last night I attended the New Zealand Book Awards for Children and Young Adults. It was great to celebrate with this very supportive community the fabulous books published in the last year. A striking feature was the emphasis of the winners in telling our indigenous stories. Out of seven major categories, five were won by books with indigenous main themes. The evening was enlivened by speeches entirely in Maori with many in the audience able to understand the main themes. For many years we read and copied stories that had an American or British style, to tell us who we are. This century I think we can say the national book awards finally reflect us - a pacific island nation with our own unique voice and heritage. It’s been a long time coming and its fabulous to see.

 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

Photo by dylan nolte on Unsplash