Proclaiming Our Intentions

 

 

In Publishing News this week.

After nine years in operation and beginning the modern serial publishing format Radish has announced they are closing their doors at the end of the year. Commentators have been noting the quiet demise of serial format sites lately. Many have linked it to the initial great payouts for authors that became unsustainable for the company.

 

Does anyone read New Adult? After the great publicity about this format a few years ago there was a cooling off stage. Publishers are back looking at the cross over from the Young Adult category. They are even merging imprints. Publishers Weekly looks at Penguin’s new imprint for New Adult books.

 

Publishing Perspectives reports on a new move by French Independent Publishers. Their annual prize winners to be translated into English and published in a rights catalogue. Let’s make it easy for English language publishers to pick up the best stories. 

 

Dan Holloway from The Alliance of Independent Authors reports on a new service from Cloudflare which will allow publishers and news companies to charge for AI scraping of their content. It has the potential to be game changing financially for publishers.

 

As we roll into eighty years since World War 2 ended, a Dutch publisher is increasing the amount of holocaust stories that they publish. Publishers Weekly talks with the editors to find out why they think this is important now.

 

The Commonwealth of Nations, representing 2.7 Billion people, has appointed their first Poet Laureate, Selina Tusitala Marsh, a pasifika poet and scholar. The New Publishing Standard reports that this highlights the role of literature in diplomacy and cross cultural understanding. (Selina is based here in Aotearoa New Zealand and is fantastic.) Her appointment is for two years. 

 

Literature Hub reports on an open letter from writers to publishers about the use of AI in publishing. The writers are asking publishers to not publish any books written by AI. This feels like a last ditch effort to show the real concerns in the industry about the use of AI for creativity. Didn’t we want all the drudgery to be done by AI robots leaving us more time to create and have fun? 

 

Katie Weiland has a must read article Why Intentional Storytelling Matters in An Age of AI and Algorithm Driven Content. Katie looks at what we lose if we follow formulaic on demand content models. As writers we should be using our power of intentionality to make our writing stand out. 

 

Alissa Butterworth writes on Jane Friedman’s blog about Using a Workshop Experience Inventory When Workshops Go Wrong. This is a powerful exercise to help make writing workshop critiques useful and beneficial to the writer and not a bloodbath arena.

 

Kathleen Schimdt has a great article on media opportunities. What are good media opportunities? How do you get media coverage on your book.

The SPA Girls interviewed Erin Wright on going wide strategies in book publishing and marketing. This is a fantastic podcast interview about all the ways to get your book out there.

 

Rachel Toalson has an excellent article on finding the heart of your story. What makes a story unforgettable. The heart of the story is what keeps you and the reader emotionally invested in the story. She uses the letters of HEART to explain the important touchstones you should be aiming for.

 

In The Craft Section,

How to write an unforgettable first line-Jenn Windrow- Bookmark

Understanding story theme- Tammy Burke- Bookmark

3 reasons why writers procrastinate- Colleen Story

Write like you are an endurance athlete- Miffie Seideman

Owning your voice the ultimate power move- Sarah Hamer- Bookmark

 

In The Marketing Section,

August book promotion ideas- Sandra Beckwith- Bookmark

How to make a book trailer- Reedsy- Bookmark

Busting Bookbub myths-Bookbub

A guide to press releases- Written Word Media

Using multiple identities- Alli - Bookmark

 

To Finish

I have been struggling to come to terms with the news that hit the children’s literature community in New Zealand like an earthquake. New Zealand has withdrawn from the opportunity to be Guest of Honour at the Bologna Children’s Book Fair in 2027.

 

The Bologna Children’s Book Fair is the biggest gathering of children’s publishing people in the world. Some of our publishers have won awards at the fair for excellence. 

Behind the scenes many groups and individuals talked about this amazing opportunity for globally showcasing our Maori and Pacifica voices, to each other, and to government representatives. It is going to be epic we told everyone. As a pacific nation we have been leading the way in indigenous storytelling in translation, language programmes, comics, animation, and gaming. All things children love. We couldn’t wait to show off our fantastic writers and illustrators. Children’s books are about reading and empathy for others and cultural awareness and all good things. We can represent pacific voices and everything that makes us special to the rest of the world. It will be epic.

Our books are world class. Government support for us should be a no brainer. We only want $350,000 that’s $210,000 US dollars or 150,000 GB Pounds. It’s not much. They spent half that fixing the parliament playground. The All Blacks probably spend that on afternoon tea. Norway spent 40 times more than that and promoted literature programmes in their country. In 2012 when we were guest of honour at Frankfurt Book Fair the government spent $6 million dollars with $1 million directly going to writers and publishers for it. It was epic. 

But alas- our government didn’t agree with our vision. 

The lack of interest from the government to celebrate their children, their writers, their illustrators, their publishers, librarians, teachers, reading advisors, and the kids on the parliament playground means there is no money for us to show the world how epic our industry is. 

One of our best writers for children wrote a sad essay in response to this news today. His words were thoughtful and measured. Inside he is probably as angry as the rest of us who work in and love Aotearoa New Zealand children’s literature.

Our actions or lack of them show our true intentions. We tell children this all the time. We show it in our words and actions and in our children’s literature. 

We lift you up. We have your back. We support you. We celebrate you because you are epic. 

Our government had a chance to be known around the world for their support of indigenous children’s literature. Their proclaimed intentions to us about being supportive of the arts are not backed up by action. 

It is an epic fail.

 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

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Pic Private Eye satire on children’s publishing. (Which is closer to the truth than you realise.)

Reinventing Ourselves

 

In Publishing News this week,

 

Publisher’s Weekly writes about the reinstatement of BookCon for American publishers.  Back in pre covid days America had Book Expo which died. While other countries managed to keep their big Book Fairs alive, The United States of America struggled. Enter Book Con 2026 rising from the ashes and focusing on the young trend setters and readers of today. 

 

Publisher’s Weekly also reports on the mixed results to lawsuits trying to halt or reestablish the Institute of Museum and Library Services. This is of huge importance to libraries who rely on funding from this organization in the USA. 

 

Mark Williams looks at the partnership between Mattel (the toy brand) and Open AI. As a teacher and publishing commentator he is drawing some big links with childrens toys and the familiarity the next generation have with AI already. If you are a children’s publisher or writer keeping an eye on this is a must.

 

There is another audiobook award out there. Based in the United Kingdom it’s The Speakies. Dan Holloway looks at how to enter.

 

Staying in the UK, Publishing Perspectives writes about the upcoming UK Publishers Licensing Services conference and what the main topics are. The PLS collects and distributes money from copyright licenses. The 3 day conference is free.

 

Meanwhile, over in Europe there are meetings and summer schools happening for publishers about the new EU rules of accessibility in publishing. Can your books be read by the disabled community. How will you implement changes to your publishing program if you sell in the EU?

 

Recently I listened to Joanna Penn and Thomas Umstattd talking about book discoverability in the age of AI. This was so interesting I listened to it again and sent the link to a few people. Check out the transcript or download the podcast. Food for thought.

 

David Beer of 3 Quarks Daily has an interesting article entitled Will the fear of being confused for an AI mean that we will now write differently? This is an interesting article on deep learning and being human.

 

If you haven’t checked out the Indie author magazine you really should. Chelle Honiker is the programming director of the Author Nation conference and has been the driving force behind the indie author magazine for a few years now. They have great articles on all sorts of topics. Recently Chelle compiled a group of articles on mastering your writing time.

 

If you have been wondering how to get all your virtual events, merchandise sales, book talks, launches etc under one roof check out Benventi they may just have the solution. It’s always interesting to see how new teams approach working with author pain points.

 

Sara Hildeth has an interesting article on Literary Elitism and Literary Egalitarianism.

Why do people push the notion that to read Literary works they must be among the elite thinkers? Each side has entrenched views on the subject. Do we need to review the definitions again?

 

Kathleen Schmidt writes an interesting article on publishing imprints and the marketing budgets. The Vicious Cycle of Book Publishing. This is of interest if you are wondering why your book is not gaining traction. It could be that there just isn’t any money in the budget. For instance, this month is when publishers work out their Christmas promotion budget.

 

In The Craft Section,

How to prepare your manuscript for a developmental edit- Jenn Windrow- Bookmark

Character building – Dave King

Scene segmentation- C S Lakin- Bookmark

How long should a denouement be- September Fawkes- Bookmark

360 conference highlights-Debbie Burke- Super interesting!

 

In the Marketing Section,

7 ways to repurpose your book content- Sandra Beckwith - Bookmark

Disrupting book marketing venue by venue- Lynette Burrows- Bookmark!

How to get free book advertising- Brian Jud

Why I dropped the WordPress website for Payhip- Kris Maze- Bookmark

 

To Finish,

Every now and then I wonder if anyone reads the blog. I have been writing it for over seventeen years. Sometimes it is easy to get discouraged and think blogging or compiling my weekly roundup of publishing news, writing, and book marketing tips is old hat and no one is really interested. Then I remember the little comments and emails and my newsletter subscribers who take the time to flick me comments and encouragement and I put my head down and get back to work. This week Rachel Thompson had a fantastic article on why blogging is still relevant. Of course I haven’t followed all her fabulous tips. I should have been blogging about children’s books seeing as how I write them. Ah well. Maybe that’s something I could be thinking about starting. 

In the meantime, thanks for getting all the way to the bottom of another weekly blog.

 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

Photo by Joshua J. Cotten on Unsplash

Fishhooks and Bouquets

 

In Publishing News this week.

In headlines around the world, Taylor Swift bought back her original master recordings of her first six albums. Why have I put this news in my weekly blog? It all has to do with copyright and the value of that copyright. If you read the saga which starts when 14 year old Taylor signed her first 6 albums away to the record company in perpetuity, there is a moment where the writer winces with recognition of a contract that takes all rights. A trail blazing young icon like Taylor is letting the music industry know that copyright matters. In return I hear that music contracts are now being tweaked to include percentages of ticket sales and merchandise which was the only way artists could make a living if they were owned by a record company.

 

Contracts are very much on the mind of the writers caught up in the Unbound Bankruptcy scandal. Many writers discovered that even though they were owed royalties,(thousands of $$) they were unsecured creditors in the case of a bankruptcy, while their books were seen as assets to be sold on under bankruptcy legislation. This is exactly what happened to the assets of Unbound. What stings is that some of the original principals of Unbound rebranded themselves as Boundless and bought the assets. You can imagine how this has been seen. Most of their staff has walked out the door in protest. Bankruptcy law trumps contracts unless you have a clause saying that if the publisher goes bankrupt you get your rights back immediately. This clause needs to be inserted in the contract by the writer. A publisher will never put that clause in by themselves.

 

Booktok has been questioning inequality in publishing. This week an Australian rugby star and new social media user suddenly got a book publishing deal on basically nothing but looks and potential. Whether they can write is another question altogether.

 

Recently Publishers Weekly hosted a day long US Book Show. Big topics for attending publishers were how to navigate the political landscape to keep publishing books.

Also in the news was the rise of dark romance sales in the US and another survey about how the world seems to be embracing audiobooks. The sales are now almost neck and neck with print. 

 

Kathleen Schmidt has a post about how toxic Threads has become for the book community. It seems that pile on behaviour and bad mouthing each other is still with us, even though the book community left Twitter because of it. Rule: Don’t engage the trolls.

 

If you read the above paragraph and thought ‘it was probably AI bots’ you might need a lie down after reading Dan Holloways post on how AI was taught to interact with Reddit users, and also to recreate Agatha Christie into a writing teacher. Dan also looks at the Bookbub survey on how many writers are using AI in their work. The answers may surprise you.

 

Sean Kernan has an excellent article on how you can tell when ChatGPT is used to write something. This may be of use to writing competitions to weed out the bad apples.

Or as one kindle reviewer put it in a 1 star review, ‘I thought it was bad and then I found the pasted in prompt from Chat GPT in the middle of the paragraph asking for the novel to be written in the style of another writer.’

 

Mark Williams offers his own acerbic take on how publishers should be using AI licensing deals. The genie is out of the bottle- figure out a way to use it for the benefit of the writers.

Anne R Allen writes that Book Scammers are out there still with a quick roundup of some new twists on old scams. Yes of course, it’s easy to buy a slot on the New York Times Billboard in Times square. Just put your money into a Nigerian prince’s bank account.

The New Zealand Book Awards for Children and Young Adults shortlist is out. This year the list embraces our place in the Pacific with a record number of pacific themed books in the shortlist. Congratulations to all the shortlisted authors and illustrators. It is super hard to judge these awards, I know because I have judged them. There will have been many books that will have nearly made it. If they published a long list like the adult book awards we wouldn’t be asking every year why some brilliant book hasn’t made the list. The number of entries must be nearly the same by now.

 

If you are wondering how to get started with your latest novel idea why don’t you try a Dear Reader letter to yourself. Tara Alemany writes the questions you should be asking the reader about what they want to read. Doing this exercise has a two fold benefit, it focuses your mind on the story you want to tell and it gives you some ideas for marketing it after you’ve written it. 

 

In The Craft Section,

Plan like a pro Write like a rebel- Tammy Burke

The 3 act structure- Gabriela Pereira- Bookmark

Creating escalating complications- Lisa Poisso- Bookmark

Overexplaining in dialogue- K M Weiland- Bookmark

When the good guys must die-P J Parrish- Bookmark

 

In The Marketing Section,

Author Automations Start small layer with purpose - Chelle Honniker- Bookmark

10 ways to boost sales with Google Play-Indie author magazine- Bookmark

How to market your audiobook- Rachel Thompson- Bookmark

How to get more media- Penny Sansevieri

Launching your book successfully with preorders- Draft2Digital- Bookmark

Book Marketing with 10 AI prompts- Fazia Burke

 

To Finish

If you haven’t checked out Storybundle yet, you should. It is a collection of writing craft books by great authors. You get a great collection, the writers get the money, and you get to support a great charity. It’s a total win win win! It is only available for another week and then it’s gone. 

Give it to yourself for making it half way through the year. 

 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

Photo by Kasia Derenda on Unsplash

Photo by Slava on Unsplash

The Courage To Be Creative

 

 

In Publishing News this week,

 

A new press has launched reports The Guardian. Conduit books seek to only publish books by men as they are being “overlooked with the perception that the male voice is problematic.” The founder hopes the press will help to change the narrative that boys and men don’t read. Anything to get people reading, I say.

 

The fan run Science Fiction and Fantasy conference called WorldCon is under a massive cloud at the moment. At issue is the use of ChatGPT to vet authors and panelists. Cora Buhlert, who will be on a WorldCon panel virtually, explores the problems of using AI for programming in her article, Robot Hallucinations. She uses her own name and prompt as an example of the problem the organisers overlooked. It is a minefield. If you are planning a conference- do your own homework, don’t rely on AI.

 

The attack on the arts in the United States continues. Next on the block are the National Endowments for Arts and Humanities. These two organisations have stopped or rescinded funding for Literary grants and awards amongst other important funding for the literary sector. Publisher’s Weekly reports that they fought back in the first Trump presidency, but they may not be able to fight back this time.

 

The UK Publishers Association have been reminding people of the soft power they wield in the UK economy. Their study puts the figure in the billions of pounds reports Publishing Perspectives. It all hinges on literary tourism. 

 

Spotify is retiring its Findaway Voices by Spotify, arm in August. They have sold this part of the business to INaudio. Spotify will continue with Spotify for Authors its dedicated audiobook distribution business. Dan Holloway reports on the changes for authors.

 

Recently UNESCO released a document from a trio of European organisations entitled A Call For Transparency Regarding AI-Generated Books. Publishing Perspectives reports on the document and the 3 key points UNESCO is asking for. Developing critical thinking is top of the list.

 

Mark Williams of The New Publishing Standard looks at the old model of publishing regions and why it has taken so long for the publishing industry to realise that eBooks are global and you don’t need regional publishing distinctions.

 

Publisher’s Weekly reports that Young Adult trends in books being published this year are bouncing between light and dark. A recent survey shows that its either frothy romance or dark academia that are the stories of the moment. What is there for the teen in the middle?

 

Lit Hub has an article on The Rise of The Submission Industrial Complex, or how journals are increasingly asking for fees to submit work. Some journals are using this to weed out AI written stories. But others are seeing it as a cash cow.

 

David Woghan writes an interesting article on Jane Friedman’s blog about whether you really need Ingram Spark. Print On Demand has come a long way from its beginnings. At issue is print quality and availability. In my experience IngramSpark have been excellent down under. 

 

I love researching…it’s the writing I find hard. The urge to go down the rabbit hole is something I battle every day. Kate Woodworth has a great article on how going down the rabbit hole opened her up to a whole different narrative.

 

Kathleen Schmidt has a great article on book publicity. It’s not a contest. There are many factors that help your book make a splash, having money to spend on publicity is not the only way to get a book noticed.

 

In The Craft Section,

Voice revisited- Terry Odell- Bookmark

Thriller words of wisdom- Dale Ivan Smith- Bookmark

10 things I learned teaching children to write- Tari Jewett

How readers react to reactions- Donald Maass- Bookmark

Writer Better Action Scenes- K M Weiland - Bookmark

 

In The Marketing Section,

8 strategies to boost reader engagement-David Lewis- Bookmark

Stock Photos for Book Covers-Jonathan Green- Bookmark

How to revive a dead email list- Emily Enger- Bookmark

How much does publicity cost- Kathleen Schmidt- Bookmark

Book promotion ideas- Bookbaby

 

To Finish

Joanna Penn interviewed Pia Leichter, a publicist and writer about her new book Welcome to the creative club: Make life your biggest art project. This is a wide ranging interview on being a creative director and taking those skills to apply them to writing and your own life. Changing your own narrative can happen with making small changes in your life. 

Diana Stout writes about persevering through failure. How the writer reacts to failure will show whether they will ultimately be successful. 

Creative Courage to keep writing is what we all strive for.

 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

Photo by Marija Zaric on Unsplash

Can We Get Off The Roller Coaster?

 

 

In Publishing News this week,

 

It’s been a tricky old week if you have been watching the tariff brinkmanship going on and wondering what this will do to the global economy. Closer to home writers and publishers are wondering what it will mean for the book industry. If you are in the USA and get your books printed in China, you may be lucky as so far books have been exempt from tariffs, unfortunately paper and ink imported into the USA from China is not. Kathleen Schmidt has a quick run down on what the American Booksellers Association is saying about tariffs.

 

The Bologna Children’s Book Fair has just wrapped up and interesting articles have come out of the presentations at the fair. Publisher’s Weekly reports on the panel discussion with audio publishers at the fair. There is an emphasis from audio publishers to snap up all audio rights so they can be in control when new formats arrive in this space. If you aren’t sure what I mean, think AI audio books, AI translated audiobooks etc.

Publisher’s Weekly also had an informative article on what everyone was buying at Bologna, the trends in children’s books, Romantasy might be over, and what everyone is doing about middle grade books. If you write in this space, it’s a must read.

 

In wider publishing news, last week I wrote that the staff of The Institute of Museum and Library Services – the body that oversees funding for libraries have been placed on administrative leave. This week the American Library Association has gone into bat for them with a court case suing The President, the DOGE executive, and the directors of the Institute. 

 

The American Publishers Association co-hosted a day long forum to look at the threat of AI on creative license. This is to tie in with the recently introduced bill – The TRAIN act, or Transparency and Responsibility for Artificial Intelligence Networks. Your creativity rights are in the constitution. (Looking from outside the USA, I wonder for how long…)

 

The Guardian has written an article looking at book banning and who are actually behind the majority of the book bans, and it is not individual concerned parents but interest groups. 

 

Victoria Strauss of Writer Beware does a fantastic job of keeping up with the scam artists out there. In her latest article she turns the spotlight on a new scam that uses identity theft to impersonate editors and agents with pre-paid commissions and contracts that have been copied from Penguin Random House. This is a must read for all writers. You might feel that you know enough about what is happening to spot a scam, but many writers don’t. If they do a cursory search to see if the editor is legit, it looks like it… then the fish hooks start happening. At the very least you will be able to tell a newbie writer what to look for in this new scam.

 

Dan Holloway of The Alliance of Independent Authors talks about a new feature being rolled out by Amazon for the Kindle, ReCaps… where an AI will tell you what’s happened in the story so far, if you are following a series. I can’t see anything problematic here at all….

 

Cassie Manns Murray a book publicist has an interesting opinion piece about Publishers Weekly’s new move to charge a $25 submission fee for a potential review. It is not guaranteed. If they do this will others follow? This is a good piece on how hard it is juggle publicity around publishing dates.

 

A writer recently asked me if was programming another writers conference what topics would be on my must have list. Contracts, Understanding Intellectual Property, and Literary Estates. This century so far has seen huge changes to each of these three important facets of the writing and publishing life. This week Madeleine L’Engle’s literary executor, her granddaughter, has an interesting article covering these topics in a guest post on Jane Friedman’s blog. Planning for the life of your work (even if you are not famous yet.)

 

In The Craft Section,

Humanity over AI- your difference – Angela Ackerman- Bookmark

The importance of flaws- Beem Weeks

What is play by play in writing- September Fawkes – Bookmark

Search Out The Unexpected- Kathleen McCleary-

3 Writing aspects you should never mess with- Julie Glover- Bookmark

 

In The Marketing Section,

Parts of a book – a primer- Fictionary

Step by step to profitable ads- Bookbub- Bookmark

3 unconventional ways to market- Savannah Cordova- Bookmark

Why Quality Counts- Sandra Beckwith- Bookmark

How to grow your list with giveaways- Thomas Umstattd- Bookmark

 

To Finish

If you have been feeling battered by this week’s news and the constant churn of the news cycle which never has any good news. Chuck Wendig has a post on his blog that you can read that explains your feelings- What it feels like right now- It’s hard to hope.

 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

Photo by Itai Aarons on Unsplash

Reading Success

 

London Book Fair is over and in comes Bologna Children’s Book Fair. I like to think it’s the most important because without creating readers the other book fairs wouldn’t exist. 

Publishers Weekly has a deep dive into what the big topics are at Bologna. The crisis in early literacy is worrying and have the covid years caused a reading slump or is it cyclical?

 

Graphic novels are now one of the biggest formats at the Bologna Children’s Book Fair. There are many interesting moves in this area reports Publishers Weekly. One thing that caught my eye in this article was audio books scripts generated by graphic novels.

 

The awards for Children’s Publisher of the year at Bologna is always a great event. The world is divided into six continent-ish zones and so there are six winners. Publishing Perspectives has a run down of the winners. Congratulations to Mila’s Books from New Zealand which took out the Oceania prize.

 

In another attack on literacy in the United States-The staff of The Institute of Museum and Library Services – the body that oversees funding for libraries have been placed on administrative leave according to Publishers Weekly. Hopefully their jobs can be saved.

 

Also closing their doors is NaNoWriMo. After a turbulent year and falling memberships the organization has closed. NaNoWriMo was a great idea and many bestsellers got their start in the white hot frenzy of writing a novel in a month.

 

Ingram Spark’s new book to screen database, MediaScout is now live. Publisher’s Weekly reports they already have an impressive number of books in the catalogue.

 

Mark Williams looks at the latest fallout of Meta AI and the proposed tariffs that had a good portion of the world on edge. While Mark see’s the value in some AI tools on the basis of its coming anyway we may as well use it. Dan Holloway looks at the impact AI has had on translators and artists. 

 

Teri Case writing on Jane Friedman’s blog looks at how AI made her want to trademark her name and how she went about it. This came about because Jane Friedman’s name had been stolen and pasted on AI generated books last year. Amazon wouldn’t take the books down because Jane hadn’t trademarked her name. 

 

Kathleen Schmidt has a fascinating article on book publicity. She dives into when and how to connect to your audience and book publicists. This is a must read if you have a book ready to release into the world.

 

Sandra Beckwith has a list of useful apps and tools to help the writer.

 

Donald Maass writing on Writer Unboxed has an excellent craft article on the hidden reason why readers read. Donald has excellent advice on how to craft your plot to hit all the right cues. A must read!

 

In The Craft Section,

The wolf under the table- J Scott Coatsworth

How conflict enhances your story- Ellen Buikema- Bookmark

4 stages of knowing in character arcs- K M Weiland – Bookmark

Using writing prompts to unstick yourself- Savannah Cordova

Dialogue mechanics- Becca Puglisi- Bookmark

 

In The Marketing Section,

How to get accepted by a distributor- Bokbaby- Bookmark

Marketing tips for a new genre- an example - Bookbub

Author swag and merch- IWSG- Bookmark

Amazon central changes – Penny Sansevieri- Bookmark

How to sell on Amazon – Dave Chesson – updated- Comprehensive!

 

To Finish

The world can be filled with negativity everywhere you look. It’s hard to stay upbeat when you feel bludgeoned by the daily news. In writing we can so often feel discouraged about our work. Harper Ross had a timely post on Writer Unboxed last week -The importance of defining success for yourself. This is a little reality check to recognize the wins in your creative life and celebrate them.

 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

Photo by Blaz Photo on Unsplash