Showing posts with label Kathleen Schmidt. Show all posts
Showing posts with label Kathleen Schmidt. Show all posts

Thursday, August 14, 2025

Trying Not To Be Political

 


 

In Publishing News this week,

 

This week the Book Awards for Children and Young Adults in New Zealand happened. I always try to go because I’ve been a past judge. It’s a great time to catch up with colleagues, to meet and celebrate the winners and the new writers coming up. 

We try not to be political. It was hard though, to see the government minister trying to sound as if he was supportive of us when he stopped New Zealand’s chance to be guest of honor at Bologna. We were polite. It was a shame that he left for another engagement after the first award. We could have told him what we really thought.

 

Across the pond in Australia, Danielle Binks writes about why there is a crisis in children’s books – it’s to do with birth rates and short-sighted policies. It’s not political. (much) The problems she outlines can be repeated here or in your own country. Children’s writers and Librarians are seeing it up close already. 

 

Publishers Weekly has a warning that the budget cuts to libraries in the United States are now affecting publishers. This will have a knock-on effect… and we know where that will leave us.

 

Pen America is sounding a warning about school libraries and the increase in book banning lawsuits hitting schools. Pen warns about self censorship and intimidation tactics being used against schools.

 

Publishers Weekly reports the Anthropic AI case and their piracy of authors is heading to the courts with the Judge saying that the three author plaintiffs can represent all their colleagues. This is going to cost Billions!

 

Riding to the rescue of orphaned Unbound authors is publishing company Wilton Square. They will undertake to publish the books for authors who got their rights back. It’s a pity there is no redress for authors owed thousands from sales with no way of getting it. Bankruptcy law trumps contract law. The Unbound mess is a big lesson for authors and agents.

 

Kathleen Schmidt has a great article on publicity. How much publicity is enough? It depends. Some publicity completely hits the wrong audience.  

 

Rachel Thompson has an excellent publication week survival guide. What to do leading up to launch day and then after. This is a print out and stick on the wall post.

 

Kimberley Grabas has an interesting post on harnessing AI to use in author branding. This is when using AI as a tool can be very useful.

 

Kathleen McCleary has an excellent post on Writer Unboxed about the power of WHY. 

How often do you use this word to drill down to the emotion of the story. 

For instance: Why did the politician come to a celebration of children’s literature after he scuttled plans to promote it internationally? Did he think we were happy with his decision and that we wanted to see him speak platitudes? Ok I will be polite and just say, we’ve got some cracking good writers here as the 2025 shortlist shows.

 

In The Craft Section,

How to develop character wounds and misbeliefs- Selen Grace Silver- Bookmark


5 paths to plotting your novels- Janice Hardy


When structure is the enemy- Kelsey Allagood- Bookmark


How to start dictating- Sarah Elisabeth Sawyer- Bookmark


Plot devices- when to use them – Elizabeth Craig

 

In The Marketing Section,

How to write emails without feeling spammy- Phillip Duncan- Bookmark


Free marketing strategies-Steve Higgs


Driving traffic to your website-Linda Dunn- Bookmark


How to write a great blog post – Lisa Tener- Bookmark


Add audio to an eBook- Great podcast from Matty Dalrymple

 

To Finish

In some positive news, The International Kids Literature Quiz started by a fantastic kiwi is getting a new quiz master. The literature quiz has gone from just a local competition to a regional competition then a national competition and then international. It is in its 37th year and kids from around the world are flying to Johannesburg this week for the international final. The brilliant mind behind it, Wayne Mills, is stepping down as quiz master. Our recently retired reading ambassador, Alan Dingley, is stepping up into the role. He is going to be brilliant. 

The literature quiz is all about kids reading. Let’s celebrate them and their book creators. We are all legends. 

 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the free Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

Photo by Gaelle Marcel on Unsplash

Thursday, July 31, 2025

Feeling Besieged?

 


 

Just after I published last week’s roundup I read the article from Publishers Weekly about the US Presidents comments on copyright. (Substack subscriber readers got the news early.) 


Last month the UK voted down a transparency law that would have required tech companies to compensate owners of copyrights that they had scraped in order to teach their AI’s. This was a blow to authors everywhere who see their work effectively stolen with impunity. 

The President of the United States commented this week at an AI summit that copyright was an obstacle to rapid development of AI. The comments seemed to completely undermine the new directives from the White House on AI and caused many choking fits across publishing. Publishers Weekly looks at the new playing field impacting authors and publishers.

Publishing Perspectives reports on the White House’s Action plan entitled Winning the Race: America’s AI Action Plan that slid out just ahead of the president’s comments. 

 

Across the pond, European Publishers and writers are having their own crisis of faith in their elected representatives over AI. Groups representing 17 million creative copyright holders are accusing the EU ignoring their rights in favour of Big Tech in the matter of the new EU AI Act. Coming at the same time as the US  statements it feels like copyright holders are getting a bashing from all sides.

 

With Writers and Publishers feeling the creative ground shifting under their feet, it didn’t help to see reports that broadcast television was also under fire from the White House. Kathleen Schmidt sounds a warning to publishers that appeasement never works. 

 

Publishers Weekly has the American sales stats from May and it makes sobering reading. Every genre has taken a hit in sales. Is it a sign of the end times or just a blip going into the northern hemisphere summer?

 

Dr Herman Kleiger has a guest post on Rachel Thompson’s excellent blog about why authors and artists get targeted in phishing scams. The Creative Artists Survival Guide to avoiding scammers.

 

Mark Williams has an interesting opinion on the passivity of publishers exploiting works in the public domain. With the entertainment world jumping on the 250th anniversary of Jane Austen- why aren’t publishers being proactive about bringing other Public Domain works into the sun?

 

It is always worth dropping into Writer Beware to keep an eye on dubious dealings in publishing. Writer Beware is provided by the Science Fiction and Fantasy Writers Association. Their members have been wrestling with new contract terms being rolled out for submitters to famous Science Fiction and Fantasy magazines. Victoria explores the contract language and the fall out. If you are or hope to be signing a contract soon this is a must read of new terms and rights grabs to watch out for. If you have never seen a writer’s contract, this is essential reading.

 

In a great guest article on Jane Friedman’s blog, Orlando Ortega-Medina looks at the differences between Author Promotion and Book Promotion and why you need both. He explains that authors often confuse the two. He offers practical tips and advice to implement immediately.

 

Catherine Misener has a great article on dictation. The productivity hack hiding in plain sight. I have tried dictation a couple of times and it is great for getting words down but the cleanup is so time consuming that it doesn’t necessarily speed up anything. However, I was recently listing to a podcast where a writer said she dropped her transcript into ChatGPT and told it to punctuate the sentences. It was a game changer for her. I must get out the voice recorder again…

 

Katie Weiland has an interesting article on intentional reading for writers. If you are what you eat as the old adage goes. Do you write what you creatively consume? Is this a strength or a weakness. 

 

An AI does not have emotional intelligence. Lynette Burrows has a fantastic post on Emotional Awareness. It is your most powerful writing tool. This is a must read.

 

In The Craft Section,

A category romance primer- Juliette Hyland


Fictionalising your family-Linda Ulleseit Bookmark


Villainous words of wisdom- Dale Ivan Smith-Bookmark


The gravity of a single word- Evan Swenson


Mining for theme- Susan Fletcher- Bookmark

 

In the Marketing Section

Finding your audiobook audience- Bookfunnel podcast


What is a soft book launch- Sandra Beckwith – Bookmark


Troubleshooting Bookbub campaigns- Bookbub


The pay to play dilemma- Penny Sansevieri- Bookmark


Where to find royalty free photo’s- Rachel Thompsom- Bookmark 

 

To Finish

If you are feeling besieged with the negative news in publishing this week, take heart there is good news out there. Recently the SelfPublishing Show had their annual conference in London. This is the largest Indie author event in Europe and over 1000 people were there. Business services for writers or publishers see these big conferences as a must attend. Written Word Media has a recap article on SPS and what the big takeaways were. They followed this up with launching a brand-new podcast on YouTube and an episode dedicated to the SPS conference. 

 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

Photo by Artur Tumasjan on Unsplash

Friday, July 18, 2025

Can You Trust The Source?


 

 

In Publishing News this week,

 

I’m a day late this week in publishing the blog. As I was putting it together, I heard that Stephen Colbert’s show is being axed. Many in the media are dismayed with the defunding of public journalism PBS and NPR this week. The Colbert show axing coming on the heels of an out of court legal settlement by the parent company CBS with Trump has alarm bells ringing. Kathleen Schmidt looks at these recent news events and how book publicity will be impacted.

 

Publishers Weekly is still shining a light on the Diamond Bankruptcy and the fall out for over 100 publishers. Distribution is being picked up by Simon and Schuster at present but with no settlement happening soon Graphic Novel publishers caught up in this mess face a very uncertain future.

 

Meanwhile over in Europe, Manga is the hot new acquisition. Publishing Perspectives reports that Harper Collins is buying up French and German Manga with its acquisition of Crunchyroll. Manga is responsible for over 50% of sales in the young adult market in these countries.

 

Translators are annoyed with the launch of Globescribe, an AI translation company reports The Guardian. At issue is the warning that AI cannot translate nuance which a human translator can do. 

 

TechCrunch reports that Google has made their NotebookLM app more of a destination with by adding a public facing collection of notebooks. I had heard of writers using NotebookLM to have a place to put all their research, but on investigation I discovered it does so much more. After watching the video- I understand why authors are uploading their manuscripts and using all the features for research and marketing ideas.

 

Lisa Norman has an interesting article on Generative Engine Optimisation. How are readers finding your books. With the rise of AI assistants how will they find you’re your book? Kathleen Schmidt also has an insightful article on how Google and AI is changing search. The search world is rapidly changing. Reading these two articles will help you understand how to work with the new search changes and get your book seen.

 

Joanna Penn has an interesting interview with Ines Johnson on crafting stories and marketing. Ines has a screen writing background and she talks about planning, episodic writing and marketing incrementally. 

 

Chad Grayson has an article on establishing a regular writing routine. My regular routine of non-fiction article reading and writing is a Thursday. This has helped me produce this weekly blog consistently for over 17 years. Chad has some good tips to help with the routine.

 

Katie Weiland has a big article on the Writing Glossary. This is a collection of articles she has written on different topics such as flat arcs or story structure. This is a bookmark reference guide!

 

In The Craft Section

Making the most of Writing resources- Gabriela Pereira- Bookmark


Four levels of book editing- Bookbaby


Taking criticism- James Scott Bell- Bookmark


Avoiding Purple Prose- Becca Puglisi


Writing across cultures-Dave King- Bookmark

 

In The Marketing Section,

How to get more book reviews- Joanna Penn interviewing Joe Walters Podcast – Bookmark


Why every author needs a brand- Sandra Beckwith- Bookmark


Smart ideas for promoting- Penny Sansevieri


Ten Shortcuts- Rachel Thompson- Bookmark


The best author swag- Elizabeth Cole- Bookmark

 

To Finish

R J Reddon has an interesting post on Writers in the Storm about all those little extra details that you find out in the course of writing your story. Do you ever do anything with them? I never thought about it until I read their article Don’t Delete That. Combining these ideas and NotebookLM (which is included free in your Google account.) and my brain was riffing on all things spacy. Is the world ready for all the weird stuff in my brain? With AI technology taking off like a rocket, the explosion of content across all our media channels is only just beginning. The trick will be to find out who you can trust to deliver quality information.

 

Maureen

@craicer

 

It’s nearly time for my monthly newsletter. If you want the best of my bookmarked links you can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

Pic Photo by Fabian Gieske on Unsplash

Thursday, July 10, 2025

Proclaiming Our Intentions

 


 

In Publishing News this week.


After nine years in operation and beginning the modern serial publishing format Radish has announced they are closing their doors at the end of the year. Commentators have been noting the quiet demise of serial format sites lately. Many have linked it to the initial great payouts for authors that became unsustainable for the company.

 

Does anyone read New Adult? After the great publicity about this format a few years ago there was a cooling off stage. Publishers are back looking at the cross over from the Young Adult category. They are even merging imprints. Publishers Weekly looks at Penguin’s new imprint for New Adult books.

 

Publishing Perspectives reports on a new move by French Independent Publishers. Their annual prize winners to be translated into English and published in a rights catalogue. Let’s make it easy for English language publishers to pick up the best stories. 

 

Dan Holloway from The Alliance of Independent Authors reports on a new service from Cloudflare which will allow publishers and news companies to charge for AI scraping of their content. It has the potential to be game changing financially for publishers.

 

As we roll into eighty years since World War 2 ended, a Dutch publisher is increasing the amount of holocaust stories that they publish. Publishers Weekly talks with the editors to find out why they think this is important now.

 

The Commonwealth of Nations, representing 2.7 Billion people, has appointed their first Poet Laureate, Selina Tusitala Marsh, a pasifika poet and scholar. The New Publishing Standard reports that this highlights the role of literature in diplomacy and cross cultural understanding. (Selina is based here in Aotearoa New Zealand and is fantastic.) Her appointment is for two years. 

 

Literature Hub reports on an open letter from writers to publishers about the use of AI in publishing. The writers are asking publishers to not publish any books written by AI. This feels like a last ditch effort to show the real concerns in the industry about the use of AI for creativity. Didn’t we want all the drudgery to be done by AI robots leaving us more time to create and have fun? 

 

Katie Weiland has a must read article Why Intentional Storytelling Matters in An Age of AI and Algorithm Driven Content. Katie looks at what we lose if we follow formulaic on demand content models. As writers we should be using our power of intentionality to make our writing stand out. 

 

Alissa Butterworth writes on Jane Friedman’s blog about Using a Workshop Experience Inventory When Workshops Go Wrong. This is a powerful exercise to help make writing workshop critiques useful and beneficial to the writer and not a bloodbath arena.

 

Kathleen Schimdt has a great article on media opportunities. What are good media opportunities? How do you get media coverage on your book.


The SPA Girls interviewed Erin Wright on going wide strategies in book publishing and marketing. This is a fantastic podcast interview about all the ways to get your book out there.

 

Rachel Toalson has an excellent article on finding the heart of your story. What makes a story unforgettable. The heart of the story is what keeps you and the reader emotionally invested in the story. She uses the letters of HEART to explain the important touchstones you should be aiming for.

 

In The Craft Section,

How to write an unforgettable first line-Jenn Windrow- Bookmark


Understanding story theme- Tammy Burke- Bookmark


3 reasons why writers procrastinate- Colleen Story


Write like you are an endurance athlete- Miffie Seideman


Owning your voice the ultimate power move- Sarah Hamer- Bookmark

 

In The Marketing Section,

August book promotion ideas- Sandra Beckwith- Bookmark


How to make a book trailer- Reedsy- Bookmark


Busting Bookbub myths-Bookbub


A guide to press releases- Written Word Media


Using multiple identities- Alli - Bookmark

 

To Finish

I have been struggling to come to terms with the news that hit the children’s literature community in New Zealand like an earthquake. New Zealand has withdrawn from the opportunity to be Guest of Honour at the Bologna Children’s Book Fair in 2027.

 

The Bologna Children’s Book Fair is the biggest gathering of children’s publishing people in the world. Some of our publishers have won awards at the fair for excellence. 

Behind the scenes many groups and individuals talked about this amazing opportunity for globally showcasing our Maori and Pacifica voices, to each other, and to government representatives. It is going to be epic we told everyone. As a pacific nation we have been leading the way in indigenous storytelling in translation, language programmes, comics, animation, and gaming. All things children love. We couldn’t wait to show off our fantastic writers and illustrators. Children’s books are about reading and empathy for others and cultural awareness and all good things. We can represent pacific voices and everything that makes us special to the rest of the world. It will be epic.

Our books are world class. Government support for us should be a no brainer. We only want $350,000 that’s $210,000 US dollars or 150,000 GB Pounds. It’s not much. They spent half that fixing the parliament playground. The All Blacks probably spend that on afternoon tea. Norway spent 40 times more than that and promoted literature programmes in their country. In 2012 when we were guest of honour at Frankfurt Book Fair the government spent $6 million dollars with $1 million directly going to writers and publishers for it. It was epic. 

But alas- our government didn’t agree with our vision. 

The lack of interest from the government to celebrate their children, their writers, their illustrators, their publishers, librarians, teachers, reading advisors, and the kids on the parliament playground means there is no money for us to show the world how epic our industry is. 

One of our best writers for children wrote a sad essay in response to this news today. His words were thoughtful and measured. Inside he is probably as angry as the rest of us who work in and love Aotearoa New Zealand children’s literature.

Our actions or lack of them show our true intentions. We tell children this all the time. We show it in our words and actions and in our children’s literature. 

We lift you up. We have your back. We support you. We celebrate you because you are epic. 

Our government had a chance to be known around the world for their support of indigenous children’s literature. Their proclaimed intentions to us about being supportive of the arts are not backed up by action. 

It is an epic fail.

 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

Pic Private Eye satire on children’s publishing. (Which is closer to the truth than you realise.)

Thursday, June 19, 2025

Reinventing Ourselves

 

In Publishing News this week,

 

Publisher’s Weekly writes about the reinstatement of BookCon for American publishers.  Back in pre covid days America had Book Expo which died. While other countries managed to keep their big Book Fairs alive, The United States of America struggled. Enter Book Con 2026 rising from the ashes and focusing on the young trend setters and readers of today. 

 

Publisher’s Weekly also reports on the mixed results to lawsuits trying to halt or reestablish the Institute of Museum and Library Services. This is of huge importance to libraries who rely on funding from this organization in the USA. 

 

Mark Williams looks at the partnership between Mattel (the toy brand) and Open AI. As a teacher and publishing commentator he is drawing some big links with childrens toys and the familiarity the next generation have with AI already. If you are a children’s publisher or writer keeping an eye on this is a must.

 

There is another audiobook award out there. Based in the United Kingdom it’s The Speakies. Dan Holloway looks at how to enter.

 

Staying in the UK, Publishing Perspectives writes about the upcoming UK Publishers Licensing Services conference and what the main topics are. The PLS collects and distributes money from copyright licenses. The 3 day conference is free.

 

Meanwhile, over in Europe there are meetings and summer schools happening for publishers about the new EU rules of accessibility in publishing. Can your books be read by the disabled community. How will you implement changes to your publishing program if you sell in the EU?

 

Recently I listened to Joanna Penn and Thomas Umstattd talking about book discoverability in the age of AI. This was so interesting I listened to it again and sent the link to a few people. Check out the transcript or download the podcast. Food for thought.

 

David Beer of 3 Quarks Daily has an interesting article entitled Will the fear of being confused for an AI mean that we will now write differently? This is an interesting article on deep learning and being human.

 

If you haven’t checked out the Indie author magazine you really should. Chelle Honiker is the programming director of the Author Nation conference and has been the driving force behind the indie author magazine for a few years now. They have great articles on all sorts of topics. Recently Chelle compiled a group of articles on mastering your writing time.

 

If you have been wondering how to get all your virtual events, merchandise sales, book talks, launches etc under one roof check out Benventi they may just have the solution. It’s always interesting to see how new teams approach working with author pain points.

 

Sara Hildeth has an interesting article on Literary Elitism and Literary Egalitarianism.

Why do people push the notion that to read Literary works they must be among the elite thinkers? Each side has entrenched views on the subject. Do we need to review the definitions again?

 

Kathleen Schmidt writes an interesting article on publishing imprints and the marketing budgets. The Vicious Cycle of Book Publishing. This is of interest if you are wondering why your book is not gaining traction. It could be that there just isn’t any money in the budget. For instance, this month is when publishers work out their Christmas promotion budget.

 

In The Craft Section,

How to prepare your manuscript for a developmental edit- Jenn Windrow- Bookmark


Character building – Dave King


Scene segmentation- C S Lakin- Bookmark


How long should a denouement be- September Fawkes- Bookmark


360 conference highlights-Debbie Burke- Super interesting!

 

In the Marketing Section,

7 ways to repurpose your book content- Sandra Beckwith - Bookmark


Disrupting book marketing venue by venue- Lynette Burrows- Bookmark!


How to get free book advertising- Brian Jud


Why I dropped the WordPress website for Payhip- Kris Maze- Bookmark

 

To Finish,

Every now and then I wonder if anyone reads the blog. I have been writing it for over seventeen years. Sometimes it is easy to get discouraged and think blogging or compiling my weekly roundup of publishing news, writing, and book marketing tips is old hat and no one is really interested. Then I remember the little comments and emails and my newsletter subscribers who take the time to flick me comments and encouragement and I put my head down and get back to work. This week Rachel Thompson had a fantastic article on why blogging is still relevant. Of course I haven’t followed all her fabulous tips. I should have been blogging about children’s books seeing as how I write them. Ah well. Maybe that’s something I could be thinking about starting. 

In the meantime, thanks for getting all the way to the bottom of another weekly blog.

 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

Photo by Joshua J. Cotten on Unsplash

Friday, June 6, 2025

Fishhooks and Bouquets


 

In Publishing News this week.


In headlines around the world, Taylor Swift bought back her original master recordings of her first six albums. Why have I put this news in my weekly blog? It all has to do with copyright and the value of that copyright. If you read the saga which starts when 14 year old Taylor signed her first 6 albums away to the record company in perpetuity, there is a moment where the writer winces with recognition of a contract that takes all rights. A trail blazing young icon like Taylor is letting the music industry know that copyright matters. In return I hear that music contracts are now being tweaked to include percentages of ticket sales and merchandise which was the only way artists could make a living if they were owned by a record company.

 

Contracts are very much on the mind of the writers caught up in the Unbound Bankruptcy scandal. Many writers discovered that even though they were owed royalties,(thousands of $$) they were unsecured creditors in the case of a bankruptcy, while their books were seen as assets to be sold on under bankruptcy legislation. This is exactly what happened to the assets of Unbound. What stings is that some of the original principals of Unbound rebranded themselves as Boundless and bought the assets. You can imagine how this has been seen. Most of their staff has walked out the door in protest. Bankruptcy law trumps contracts unless you have a clause saying that if the publisher goes bankrupt you get your rights back immediately. This clause needs to be inserted in the contract by the writer. A publisher will never put that clause in by themselves.

 

Booktok has been questioning inequality in publishing. This week an Australian rugby star and new social media user suddenly got a book publishing deal on basically nothing but looks and potential. Whether they can write is another question altogether.

 

Recently Publishers Weekly hosted a day long US Book Show. Big topics for attending publishers were how to navigate the political landscape to keep publishing books.


Also in the news was the rise of dark romance sales in the US and another survey about how the world seems to be embracing audiobooks. The sales are now almost neck and neck with print. 

 

Kathleen Schmidt has a post about how toxic Threads has become for the book community. It seems that pile on behaviour and bad mouthing each other is still with us, even though the book community left Twitter because of it. Rule: Don’t engage the trolls.

 

If you read the above paragraph and thought ‘it was probably AI bots’ you might need a lie down after reading Dan Holloways post on how AI was taught to interact with Reddit users, and also to recreate Agatha Christie into a writing teacher. Dan also looks at the Bookbub survey on how many writers are using AI in their work. The answers may surprise you.

 

Sean Kernan has an excellent article on how you can tell when ChatGPT is used to write something. This may be of use to writing competitions to weed out the bad apples.

Or as one kindle reviewer put it in a 1 star review, ‘I thought it was bad and then I found the pasted in prompt from Chat GPT in the middle of the paragraph asking for the novel to be written in the style of another writer.’

 

Mark Williams offers his own acerbic take on how publishers should be using AI licensing deals. The genie is out of the bottle- figure out a way to use it for the benefit of the writers.


Anne R Allen writes that Book Scammers are out there still with a quick roundup of some new twists on old scams. Yes of course, it’s easy to buy a slot on the New York Times Billboard in Times square. Just put your money into a Nigerian prince’s bank account.


The New Zealand Book Awards for Children and Young Adults shortlist is out. This year the list embraces our place in the Pacific with a record number of pacific themed books in the shortlist. Congratulations to all the shortlisted authors and illustrators. It is super hard to judge these awards, I know because I have judged them. There will have been many books that will have nearly made it. If they published a long list like the adult book awards we wouldn’t be asking every year why some brilliant book hasn’t made the list. The number of entries must be nearly the same by now.

 

If you are wondering how to get started with your latest novel idea why don’t you try a Dear Reader letter to yourself. Tara Alemany writes the questions you should be asking the reader about what they want to read. Doing this exercise has a two fold benefit, it focuses your mind on the story you want to tell and it gives you some ideas for marketing it after you’ve written it. 

 

In The Craft Section,

Plan like a pro Write like a rebel- Tammy Burke


The 3 act structure- Gabriela Pereira- Bookmark


Creating escalating complications- Lisa Poisso- Bookmark


Overexplaining in dialogue- K M Weiland- Bookmark


When the good guys must die-P J Parrish- Bookmark

 

In The Marketing Section,

Author Automations Start small layer with purpose - Chelle Honniker- Bookmark


10 ways to boost sales with Google Play-Indie author magazine- Bookmark


How to market your audiobook- Rachel Thompson- Bookmark


How to get more media- Penny Sansevieri


Launching your book successfully with preorders- Draft2Digital- Bookmark


Book Marketing with 10 AI prompts- Fazia Burke

 

To Finish

If you haven’t checked out Storybundle yet, you should. It is a collection of writing craft books by great authors. You get a great collection, the writers get the money, and you get to support a great charity. It’s a total win win win! It is only available for another week and then it’s gone. 

Give it to yourself for making it half way through the year. 




 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

Photo by Kasia Derenda on Unsplash

Photo by Slava on Unsplash

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