Thursday, July 9, 2026

Protecting The Author Voice

 

In Publishing News this week,

 

Publishing Perspectives sat down with the director of the Frankfurt Book fair to talk about his twenty years at the helm, the future of the fair, and the challenges of this year’s fair. 

 

Mark Williams of The New Publishing Standard looks at the recent move by Getty Images to partner with an AI company but with very strict licensing agreements, after their failed court cases. He points out that publishers could do the same thing. 

 

Recently, Publishers Weekly reported on American Library Associations 150th anniversary. The Graphic Novel and Comics Roundtable have just celebrated 8 years. School librarians know the power of graphic novels to hold attention and introduce new ideas without the kids knowing they are reading. Now the Roundtable and Librarians are reaching out to publishers to make these books more durable. 

 

Rachel Toalson wrote a great essay, In Defense On Writing For Children as a response to the recent controversial comments by the American Ambassador for Children’s Literature. If his aim was to get people talking, he certainly succeeded. Every children’s author will recognize the themes she explores on why we write for children. If you have always thought it would be easy, I invite you to read the article.

 

The Alliance of Independent Authors has a run down of all the types of scams that are targeting authors at the moment. Keep an eye on the scammers, who are getting more personalised in their targeting every day. Let newbies know that such scams prey on their hopes and dreams and to be extra wary.

 

Joanna Penn has a great interview with Daniel Sawyer on the author voice. I am so grateful that Joanna produces these transcripts.  Even though I often listen to the interview, reading the transcript lets you stop to think deeply on an idea and this episode is one of those thought provoking studies of craft. 

 

Alexandra Burt has a great essay on Why Artists Owe The Work And Not The World. You must understand rules before you break them. Often writers second guess themselves. Do you need permission to write the way the story wants to be told? 

 

Publishers Weekly reported on the recent Jamaican Book Festival where the Caribbean Collective was announced. This is an organization to represent the eight English speaking islands as a global regional voice, and to promote and support them at international book fairs. What a great idea! 

Mark Williams with his global view of publishing in small developing countries explored how this kind of representation could be a model for others. 

 

I firmly believe in the power of the collective, whether it is in small author groups for publishing support, all the way up to countries with a shared regional perspective like the Pacific Islands. Global publishing has been dominated by a western US/UK viewpoint. Regional voices are lost in translation even when it is in English. Collectives of countries to promote a different literary voice to the world is a powerful statement of literary maturity. Our own voices matter. Our individual author voices are distinct from the blandness of AI sameness. Our regional voices reflect our customs and concerns that mark us out as a distinct region rather than a satellite of a powerful colonizing nation. New Zealand has been quietly supporting a pacific publishing voice for years. We should be shouting our support. If we don’t we are at risk of losing our distinct viewpoint and voice to a tech company algorithm.

 

Donald Mass has another deep craft essay on the misleading adage of Show, Don’t Tell.

He talks about the two important cues to bring a story alive, the visual and the emotional. He refers to his craft book, which I have, and it is excellent. 

 

In The Craft Section,

Why emotional scenes still feel flat-Susan Watts- Bookmark


The beating heart of your Story Structure- Lynette Burrows- Bookmark


Writing memorable character voices- Catherine Forrest- Bookmark


Will your story keep your readers hooked- Colleen Story- Bookmark


Why we need heroic stories- K M Weiland- Bookmark

 

In The Marketing Section,

Flat lays – low effort marketing- Ines Joghnson – Bookmark!


Book launch mistakes on social media- Sandra Beckwith


Back to school children’s book marketing- Bookmark


2 very good articles on email newsletters. If you are wondering what to do, or who to choose, read both of these articles. It’s all in what type of communication voice you want to have to your readers. Medium, Substack or Beehiiv- Rachel Thompson and Should you use Substack or something else – Jane Friedman

 

To Finish,

Where do you get your ideas from? How many times have we heard that question as authors? The writers gift lists at the end of the year are full of pens and notebooks and waterproof shower whiteboards, ready to capture all the ideas floating by. You are left with pages of idea fragments but no story. Greer Macallister has the solution. 

You might even find a unique voice and spin on a story idea that has never been done before. Only you can tell it.

 

Maureen

@craicer

 

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If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

Photo by Jason Rosewell on Unsplash

Thursday, July 2, 2026

Productive Creativity

 

 In Publishing News This Week

 

The power of unions to advocate for their members is a benefit that the publishing workforce is seeing. Penguin Random House has raised base salaries. Where they lead others, hopefully, will follow, reports Publishers Weekly.

 

This week international booksellers and publishers are loud in their dismay over the arrest of two booksellers in Hong Kong. Freedom to read is often taken for granted, but there are some places where it can be a risky business.

 

Earlier this year we were lamenting the demise of the mass market paperback. Simon and Schuster have pivoted their Pocketbook, (mass market) brand to be the acquiring home of bestselling indie authors.

 

Publishers Weekly profiled a reading social platform for kids. This is a social media platform only for readers, aimed at school children, curated by their schools, but with world wide reach. Sounds amazing. Is there a catch?

 

Publishing Perspective has been following the Bologna Children’s Bookfair outreach programme. They have been building cross media partnerships everywhere. Expect animation to be a bigger part of the fair, after their recent trip to the International Animation festival.

 

The UK Publishers Licensing Service has been working with the Copyright Licensing Agency to make a collective agreement for licensing content for AI. This means publishers can get money. Over 250 publishers have signed up apparently. If you are a UK author, you can sign up too.

 

Written Word Media have the results of their mid-year author survey. They break down the results across all the author tiers, and it makes interesting reading. What works, what doesn’t, and what everyone should be doing.

 

Writer Beware has an informative article on scam email addresses. There are quick ways you can check if the email is legit. The scammers are sneaky and Victoria outlines how to spot them just in their email address. Reversed letters caught me by surprise in this comprehensive article, which is a must read!

 

I read this essay by Jaime Buckley- The Real Reason You’re Afraid To Publish and felt seen. This is one of those essays that nail the nagging feeling you have that something is wrong, but you don’t know what. 

 

Ines Johnson writes great articles on the Indie writer life. This week she is tackling the back list. Should you Update Your Backlist For Amazon’s A11 Changes? Yes… the Zon is changing again, so rumour has it. 

 

There is a great essay on Jane Friedman’s blog – Your Creative Team Wants You To Stop Formatting And Just Write The Darn Book. The authors, Sandra Wendel and Paul Nylander are speaking every typesetters pain here. Staying with writing software- Julie Artz has a great primer on Scrivener. Authors who try Scrivener quickly become evangelists for the software. Take a look at Julies article if you want to know why people rave about it.

 

Where does your creative flow come from? Gabriela Pereira has a great article on the four pillars of creative flow. How is your balance of mind work cycle, skill based learning, practice, and community? Do you need to rebalance your creativity?

 

In The Craft Section,

2 Great posts from Janice Hardy 5 ways to make your character hate you and Describing character emotions in first person –- Bookmark- Both


Write strong plots for character driven stories- September Fawkes- Bookmark


Twisting the office romance conflict- Angela Ackerman- Bookmark


Sustainable writing routine- Brian Hicks- Bookmark

 

In The Marketing Section,

Launching a book with confidence- Rachel Warmath- Bookmark


Manage your expectations- Sandra Beckwith


Broad vs Niche keywords- Kindlepreneur- Bookmark


Seven promotional steps- Alliance of Independent Authors- Bookmark


What’s working in podcast publicity- Jane Friedman – Bookmark

 

To Finish

All the horror writers I know are fantastic humans. Mark Leslie Lefebvre is one of those people. He is so supportive of the publishing industry and has done practically every job in it. He’s now working with Draft2Digital but he has a great blog on writing and creativity that always has a fresh perspective on writing. This week’s essay, The Trees and I,The Rooted, Yet Restless Writer just resonated on all levels. Take a moment to stop and read the essay and maybe make a date with your favourite nature view.

Creativity and a writing boost awaits.

 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.


If you want the weekly blog in your inbox subscribe to the free Substack version.


If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

Photo by Bree S on Unsplash

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