Thursday, July 23, 2026

Playing both sides of the AI coin.

In Publishing News this week,  

The money will be coming soon, said the judge in the Anthropic AI case. The news was reported earlier this week by Publishers Weekly. If you are a claimant however, don’t bank on the money for Christmas presents. Soon means under a year, probably, maybe, in lawyer speak. 

 

How fast can you get a book out? Publisher’s Weekly reports that Holt has really pushed the boat out with Mahmoud Khalil’s memoir on life in an ICE detention center. PW interviewed the team behind the fast turn around on how they did it.

 

Hands up who uses Libby? It’s a great service. So good, they are worried about how many AI bot books they are getting and are taking steps according to Techbuzz. 

 

I was chatting to a young publishing professional today about the rise of publishing opportunities in Sharjah. We are so focused on the troubled publishing world in the West, that we forget about the rest of the world. Sharjah has been making some big connections lately, says Mark Williams and we should be factoring them into our publishing calendars, from jobs, to printing, to mammoth book festivals and book sales. There are publishing opportunities and partnerships waiting.

 

Last week I talked about Amy Chan’s publicist nightmare of big spending for no return. Publicists have all been discussing her article and explaining how to use a publicist effectively. Leigh Stein has 3 lessons from Amy Chan’s experience and publicist Kathleen Schmidt breaks down what independent publicists do.

 

If I winced and said a few naughty words when I read the Publishing Perspectives article on Wiley partnering with the Genesis mission consortium to support the US governments AI goals. I can just bet that was mild compared to Wiley’s scientific authors who have been struggling with AI scraping their work without compensation. However, this move might mean they get some extra money from Wiley. *


Mark Williams has been looking at similar deal with Bloomsbury who are riding high on another generation of kids getting into Harry Potter while also making AI deals on the side. If the publishers are making AI deals, how can they demand authors shouldn’t use it as well? Mark also comments on China banning chat bot companions.

 

Mark Lefebvre has an article on scams and their scammy behaviour towards authors. He has screen shots of the types of scams sent to him in a typical day. Mark is a horror writer. If you hate the scammers as much as he does- he has probably dreamed up some fate scenarios for the scam perpetrators.

 

Has a Romantasy Bookstore opened near you? In my city two are opening this month on the same street and further down the street a very prominent independent bookstore is expanding to create a new Romantasy section. 

This phenomenon is happening everywhere says Publisher’s Weekly. It’s not just about the books but the community space. Is Romantasy going to save the publishing industry?

 

Search is changing rapidly because of AI. Many people are using ChatGPT as a search engine. This changes the nature of book publicity. Metadata is more important than ever as AI needs to find your book. Darcy Pattison has a great article on how to get AI search engines to find your kid’s book.

 

In The Craft Section,

Using real life in fiction- Richard Jordan - Bookmark


How to Write Authentic Fear – Angela Ackerman- Bookmark


The idea method – Gabriela Pereira- Bookmark


Story Bibles- Joe Lallo - Bookmark


The psychology of endings and how to do them well- K M Weiland - Bookmark

 

In The Marketing Section,

Turning your blurb into a sales pitch- Susan Odev- Bookmark


Why your backlist is your most valuable asset- Rachel Thompson- Bookmark


The ultimate guide to the successful book giveaway- Sandra Beckwith- Bookmark


Personalizing your author brand- podcast interview with Damon Courtney from Bookfunnel- Interesting chat with the Wish I’d Known, team.


The power of the many in anthology promo- Great ideas.- Patrice Gopo

 

To Finish

The head shot. It looks great and authors will use their head shot for years scared about showing an aging profile. AI magically comes to the rescue and produces the ultra-polished look. Dan Blank talks about the head shot and AI. With the rise of AI everywhere readers are looking for authentic connections with authors. What do you do if for professional reasons you can’t show your face? You still have to prove you are not an AI bot writing your books. 


Proving you are a human, the authors dilemma this decade.

 

Maureen

@craicer

 

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*not holding my breath as Scientific publishing is an everyone pays the academic publisher model, including the authors.

 

Photo by pina messina on Unsplash

Thursday, July 16, 2026

Publishing: Change is the only Constant

 In Publishing News This Week,

 

Just as I published last week’s blog, Amazon changed their eBook pricing tiers. Previously the 70% royalty model was capped at $9.99 but it has been increased to $12.99. Box sets, your hour has come!

 

The new lawsuit against Google is underway. At issue whether Google used books enrolled in Google Play and as part of search to train its AI, Gemini. Among the claims against Google is that they also used Google Scholar to download articles to make Gemini more responsive, weakening the market for research books and journals. This is a class action so expect more people to join in.

 

Publishers Weekly reports on the Careless People author taking Meta to court. At issue is whether the alleged gag order that stops the author from discussing her book, which highlighted abuse at the Meta offices, is justified or a violation of the first amendment rights. Publishers are watching this one as it will impact how much risk they might be up for. Macmillian, Sarah Wynn-Williams publisher, is doing a great job in supporting their author through this. The publicity over the case and book have helped sales as well. 

 

Everybody dreams of winning the big prize. Multi millions in your pocket to do whatever you like. Fund a non profit literary endeavor, perhaps? A new fund is set up to do just that in the US, but how should the money really be spent? One publisher has opinions about fairness across the sector and what would be the best use of $50 million dollars.

We can but dream in NZ with all our funding slashed here.

 

One of the benefits in managing your own backlist is that you can re-release books that your traditional publisher has given up on. It doesn’t matter when a book is published. Every reader is a new reader. Doubleday has decided that they want to republish out of print books that are hard to find, in order to bring a new audience to the book. 

 

Last week I wrote about the American Library Association’s conference. In the Alliance of Independent Authors ,news section Dan Holloway commented this week on the librarian’s plea to make metadata relevant. This is how they select books. Who knew metadata was so important to search?

 

Amy Chan spent $44.000 launching her book and only $3.00 was worth it. She wrote an article about it. Every author who read that article winced and so did the publicists. Kathleen Schmidt followed up with an article on meaningful exposure. These two articles show the expectations and reality divide in marketing books now. The marketing landscape has changed. What used to work does not anymore.

 

Dean Wesley Smith has been around the publishing world for decades and has a long view of the industry. Publishing is always changing, he says. Here he dives into the numbers and why authors and publishers must keep thinking of a wider discoverability model. 

 

Julie Artz has a great primer on manuscript formats for writers. If you don’t know the standard presentation Julie shows you with examples across Scrivener, Word, Google Docs, and more.

 

Joanna Penn has an interesting interview with Jamie Ferguson on creating bundles and anthologies. How do you choose writers to join in anthologies? How do you keep track of submissions? If you are interested in dipping your toe in to boxsets, make sure you read the transcript. 

 

Over on the Killzone blog Dale Ivan Smith is writing about Risk. Writers risk rejection with every submission but they submit anyway. They risk failure with every book launch, but they do it anyway. He has gathered different answers on what risk means to a creative. Are your characters risking anything?

 

 

In The Craft Section,

Point of View is a promise -Sarah Hamer- Bookmark


Why readers love flawed characters- Jenn Windrow


Why your story feels choppy- Tiffany Yates Martin


The Wow factor-James Scott Bell- Bookmark


Multiple POV’s and character empathy-K M Weiland - Bookmark

 

In The Marketing Section,

Ten tips for creating special editions- Indie Author Magazine- Bookmark


How to make your book irresistible- Video – Alliance of Independent Authors


How to optimize metadata- IngramSpark- Bookmark


10 ways authors can help each other with marketing- Sandra Beckwith- Bookmark


Lessons learned running a bookshop- Alliance of Independent Authors

 

To Finish,

Do you have the courage to switch things up? It is easy to just do same old same old in your writing and marketing. You know the drill. You know how much energy you need. Switching things up is a venture into the unknown. What if it doesn’t work?

Joanna Penn has written another of her deep dive articles. 7 tips for sustainable creativity. Here she pulls great advice from interviews with her guests about staying creative. She is switching things up by moving her podcast days. Change can unlock another outlook on your writing. It sparks new ideas, new directions. You never know what interesting opportunities await around the change corner.

 

Maureen

@craicer

 

Do you want the best of my bookmarked links in a handy monthly newsletter? You can subscribe here to join our happy band.

If you want the weekly blog in your inbox subscribe to the free Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

 

Photo by Ross Findon on Unsplash

 

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