Who Owns Your Rights?

 

 

In Publishing News this week,

 

The EU accessibility act came into force this week. This is aimed at publishers who are selling into the European Union. All books need to be accessible. This doesn’t mean that they have to be widely available although that might help. They have to be accessible to the disabled community. Dan Holloway has a quick rundown on what that means for authors and publishers.

 

Publishing Perspectives reports on the recent court decision over book banning in favour of the parents and how this might impact the freedom to read going forward in the United States of America.

 

Publishers Weekly reports on the American Library Association conference and what the main topics of conversation were. AI and its biases. There was a lot of chat about the impact of new tech trends on libraries and on hand were child sized robots that helped children with finding and checking out books. (It is almost the age of the Jetsons- where is my flying car?)

 

This week Mark Williams looked at two news items that expose the current publishing models shortcomings. First was the news that the Bond franchise had been bought by Amazon who are bringing out modern James Bond books to tie in with their new game. So where does that leave the original publisher? Following right on the heels of this is the Romantasy juggernaut Sarah J Maass who has licensed her brand into a global marketplace and left her traditional publishers out of the mix. 

When I am asked what is the most important subject to learn in publishing, I always answer intellectual property and contracts. These two articles highlight the importance of intellectual property and who owns it. For decades publishers have been asking for sweeping contract rights and then not doing anything with them. Savvy agents and authors keeping these rights back have discovered other entertainment companies value these licenses. Will Publishers double down on rights demands? Remember authors, you can put time limits on rights in the contract and always put a rights reversal time clause in. 

 

Victoria Strauss has a great article for Writer Unboxed on bankruptcies and why the bankruptcy clause in your contract might not protect you. This is a timely article after recent publisher bankruptcies.

 

Richard Charkin muses on globalization and the publishing trade. Printers are now global, as are Newspapers. I wonder when rights by country will fall by the wayside. 

 

John Green has a nifty little video which breaks down What the #1 New York Times Bestseller List Actually Means. Sometimes it doesn’t take much for a book to make the list.

 

Gabriela Pereira has a great article on How to deal with Failure and Rejection. You need a writer angst jar. This is a great tool to get you over the hump.

 

Joanna Penn has an interesting interview with Betsy Lerner this week. Betsy has decades of experience in the publishing world doing pretty much every job in it. She talks about finding your voice across the medium and loving book marketing.

 

Writer Unboxed has a new contributor (Gen Z ) Kit Aldridge who has an article on AI – The Big Bad Wolf or Quiet Assistant for Writers. All the comments are interesting, especially from the big names in the community. The article is generally not in favour.

If you are on the fence about this technology. You are not alone. However, the changes are so rapid that you may find that some knowledge is better than none at all. Joanna Penn’s recent Interview with Thomas Umstattd on Book Discoverability in the age of AI shows another side of this technology.  

 

It’s July and you may be looking at your goals for the year and wondering what happened. Robin Blakely has a great article on redirecting yourself and your goals.

If it is all too much check out the Frustrated Writers Colouring In Book

 

In the Craft Section,

Building believable alternate histories- Daniel Ottalini

When your draft is a mess- Stuart Wakefield- Bookmark

The playbook for antagonists- Becca Puglisi

The secret to writing witty characters- K M Weiland- Bookmark

Ending apostrophe abuse- Debbie Burke- Bookmark

 

In The Marketing Section,

TikTok marketing demographics for authors- Sandra Beckwith- Bookmark

Writing an author bio (with AI)- Kindlepreneur

How to publish a children’s book- Reedsy and Karen Inglis- Bookmark

Creative hooks drive more ad clicks- Bookbub- Bookmark

Joanna Penn interviewed Simon Patrick about Eleven labs and Producing AI narrated audiobooks. This is an interesting insight into how Eleven labs works, and how authors can use them. 

 

To Finish,

Do you remember the Readers Digest books? Condensed versions of four novels bound in hardback and available mail order on a monthly subscription. Loads of homes had them. Folio Editions borrowed a similar concept but went the opposite way into high end productions. Publishers Weekly looks at how they have reinvented themselves starting with Public Domain books and are now into licensing Folio editions of in print books. It is all about Intellectual Property and what you do with it.

 

Maureen

@craicer

 

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Surfing The Waves Of Change

 

In Publishing News this week,

 

Recently a publishing industry analyst in America predicted that 2023 would be a year of transition for the publishing industry. Change is scary for a conservative industry. Many big publishers will hang on to old ways of doing business for as long as possible while closing their eyes to the swells gathering momentum, ready to break over their heads. Mark Williams has a quick rundown on what publishers should be preparing for. 

 

Meanwhile in the UK, the BBC reports on Welsh publishers who can no longer absorb rising print and paper costs. Either they stop publishing or they raise prices. What will they do?

 

Over in Germany, RTL Deutschland, owned by Bertelsmann, is responding to the “rapidly changing media landscape” by closing 23 magazines with the loss of over 500 jobs.

 

Publishing Perspectives reports on China’s rapidly declining bookstore sales but there is an upsurge in digital book sales. Once again children’s books are saving the publishers.

 

Around the Indie publishing watercooler, the talk is the rights grab clause appearing in Findaway Audiobooks contract. (Schedule D) Apple is able to use your audiobook to teach its AI voice. ‘Not on,’ scream the writers. However, it’s not the writers who lose out, it’s the narrators. They own the rights to their voice. An article on the problems of voice over artists and AI spells out what is coming.

 

AI isn’t all bad, says David Meerman Scott. He has an interesting article about how he uses the tool to work with articles he has already written. Think of it as a super-fast word processing assistant that can repurpose your own content.

 

Kelley Way has collected the top articles on Intellectual Property from 2022 that appeared on the Writer Fun Zone. If you need a quick refresher on what is your IP and how to use it to your advantage- check out this comprehensive list. 

 

Victoria Strauss has a roundup of last year’s big writing scams, shonky contract clauses and vanity publishers who rip people off. Remember that money flows to the writer. If a publishing company asks for money to print your book…tread very carefully as you run in the other direction. 

 

The Guardian reports that the Women’s Prize Trust is expanding their writing prize to include a new Non Fiction prize.

 

Anne R Allen has a great post on Beta readers. What they are and how to manage them. First, figure out what you want them to focus on when they read your book.

 

Scott Myers has a great article on high concept vs strong concept in writing. Check it out to see which one is best.

 

In The Craft Section,

Are you writing a shiny idea or a robust story- Sandy Vaile- Bookmark

A books worth of character development questions and articles- Now Novel – Bookmark

How to write a rich setting- Donna Jo Stone

How to write physical pain- Becca Puglisi- Bookmark

Tips for dealing with the passage of time- K M Weiland

 

In The Marketing Section,

24 quirky March promotions for your book- Sandra Beckwith- Bookmark

The lazy authors guide to platform building- David Gaughran

How to use comp titles- -Robin Currie-Bookmark

Why you should have a blog- Nina Amir

A step by step guide to using Booktok- Penny Sansevieri- Bookmark

To Finish,

Roz Morris has an interesting article on how easy reading is hard writing. In it she reflects on the writer process and how every writer has their own unique way of coming to grips with a story. Many writers take years to nail down a process that works for them.

Kris Rusch also writes about process in her latest blog post. When the world feels like its falling apart your process can get you through the tough times. When sales drop off, when marketing feels useless. When you slog through the story.

You write the book word by word. And that is all that is needed.

 

Maureen

@craicer

 

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You can subscribe here. 

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Thanks.

 

Pic: Photo by Matt Paul Catalano on Unsplash