Craic-er: storybundle

Showing posts with label storybundle. Show all posts

Friday, June 6, 2025

Fishhooks and Bouquets

In Publishing News this week.

In headlines around the world, Taylor Swift bought back her original master recordings of her first six albums. Why have I put this news in my weekly blog? It all has to do with copyright and the value of that copyright. If you read the saga which starts when 14 year old Taylor signed her first 6 albums away to the record company in perpetuity, there is a moment where the writer winces with recognition of a contract that takes all rights. A trail blazing young icon like Taylor is letting the music industry know that copyright matters. In return I hear that music contracts are now being tweaked to include percentages of ticket sales and merchandise which was the only way artists could make a living if they were owned by a record company.

Contracts are very much on the mind of the writers caught up in the Unbound Bankruptcy scandal. Many writers discovered that even though they were owed royalties,(thousands of $$) they were unsecured creditors in the case of a bankruptcy, while their books were seen as assets to be sold on under bankruptcy legislation. This is exactly what happened to the assets of Unbound. What stings is that some of the original principals of Unbound rebranded themselves as Boundless and bought the assets. You can imagine how this has been seen. Most of their staff has walked out the door in protest. Bankruptcy law trumps contracts unless you have a clause saying that if the publisher goes bankrupt you get your rights back immediately. This clause needs to be inserted in the contract by the writer. A publisher will never put that clause in by themselves.

Booktok has been questioning inequality in publishing. This week an Australian rugby star and new social media user suddenly got a book publishing deal on basically nothing but looks and potential. Whether they can write is another question altogether.

Recently Publishers Weekly hosted a day long US Book Show. Big topics for attending publishers were how to navigate the political landscape to keep publishing books.

Also in the news was the rise of dark romance sales in the US and another survey about how the world seems to be embracing audiobooks. The sales are now almost neck and neck with print.

Kathleen Schmidt has a post about how toxic Threads has become for the book community. It seems that pile on behaviour and bad mouthing each other is still with us, even though the book community left Twitter because of it. Rule: Don’t engage the trolls.

If you read the above paragraph and thought ‘it was probably AI bots’ you might need a lie down after reading Dan Holloways post on how AI was taught to interact with Reddit users, and also to recreate Agatha Christie into a writing teacher. Dan also looks at the Bookbub survey on how many writers are using AI in their work. The answers may surprise you.

Sean Kernan has an excellent article on how you can tell when ChatGPT is used to write something. This may be of use to writing competitions to weed out the bad apples.

Or as one kindle reviewer put it in a 1 star review, ‘I thought it was bad and then I found the pasted in prompt from Chat GPT in the middle of the paragraph asking for the novel to be written in the style of another writer.’

Mark Williams offers his own acerbic take on how publishers should be using AI licensing deals. The genie is out of the bottle- figure out a way to use it for the benefit of the writers.

Anne R Allen writes that Book Scammers are out there still with a quick roundup of some new twists on old scams. Yes of course, it’s easy to buy a slot on the New York Times Billboard in Times square. Just put your money into a Nigerian prince’s bank account.

The New Zealand Book Awards for Children and Young Adults shortlist is out. This year the list embraces our place in the Pacific with a record number of pacific themed books in the shortlist. Congratulations to all the shortlisted authors and illustrators. It is super hard to judge these awards, I know because I have judged them. There will have been many books that will have nearly made it. If they published a long list like the adult book awards we wouldn’t be asking every year why some brilliant book hasn’t made the list. The number of entries must be nearly the same by now.

If you are wondering how to get started with your latest novel idea why don’t you try a Dear Reader letter to yourself. Tara Alemany writes the questions you should be asking the reader about what they want to read. Doing this exercise has a two fold benefit, it focuses your mind on the story you want to tell and it gives you some ideas for marketing it after you’ve written it.

In The Craft Section,

Plan like a pro Write like a rebel- Tammy Burke

The 3 act structure- Gabriela Pereira- Bookmark

Creating escalating complications- Lisa Poisso- Bookmark

Overexplaining in dialogue- K M Weiland- Bookmark

When the good guys must die-P J Parrish- Bookmark

In The Marketing Section,

Author Automations Start small layer with purpose - Chelle Honniker- Bookmark

10 ways to boost sales with Google Play-Indie author magazine- Bookmark

How to market your audiobook- Rachel Thompson- Bookmark

How to get more media- Penny Sansevieri

Launching your book successfully with preorders- Draft2Digital- Bookmark

Book Marketing with 10 AI prompts- Fazia Burke

To Finish

If you haven’t checked out Storybundle yet, you should. It is a collection of writing craft books by great authors. You get a great collection, the writers get the money, and you get to support a great charity. It’s a total win win win! It is only available for another week and then it’s gone.

Give it to yourself for making it half way through the year.

Maureen

@craicer

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Photo by Kasia Derenda on Unsplash

Photo by Slava on Unsplash

Thursday, May 29, 2025

Uniquely You

Apologies for no blog last week. It was family medical drama week.

In Publishing News this week,

In my blog two weeks ago, I wrote about the US government firing the Director of the Copyright office. As with all these government moves there are court cases pending to slow down the speed of these changes. The Copyright Director is suing to get her job back.

Across the pond in the UK, Elton John and other big names lambasted the news that the AI transparency act favours tech companies, calling the government decision criminal and irresponsible. Publishing Perspectives has a detailed look at what went wrong with the proposed law.

Giving tech companies an almost free rein to use copyrighted material seriously undermines what copyright stands for. At the moment the EU seems to be the only jurisdiction where artists copyright matters. Keep an eye on what your own government is doing around these laws for creative artists.

In an I-can’t-believe-it move, a Texas court has reversed a book banning law, stating that libraries must be the voice of the government. The librarians are warning that this smacks of propaganda for the state.

The invisible first lady of America is bringing out a memoir. Eyebrows are raised as the narration of the memoir is a cloned AI voice, which will also be used in translations. Mark Williams looks at the rise of synthetic voices and the possibilities for publishers.

The UK Children’s Laureate has launched a campaign to get families to read in response to the dismal reading statistics that were announced recently. It is well known that if you read to children from birth they start school with a big advantage that only keeps continuing. Congratulations to our own newly appointed Reading Ambassador for New Zealand, Kate De Goldi.

Publishing Perspectives has an interesting essay from an Indian publisher on the rise of Print on Demand use by publishing companies and how it is changing the nature of the publishing business. These insights could be applied to other publishing territories as well.

Literacy is being challenged. What can publishers do about it? Richard Charkin writes in his monthly column about the clouded nature of publishing stats and how the underlying news means we must worker harder to engage readers. Key to this is amplifying the uniqueness of their authors.

Two great podcasts caught my eye this week… The SPA Girls celebrated 500 episodes with a great chat about the past and where they think the future of publishing will go.

Joanna Penn interviewed Comic and Game maker Dave Morris about creative control, world building and AI tools. Dave has some interesting insights on training AI on your own content.

If you are looking for some great craft books check out Storybundle. Kris Rusch has curated an excellent collection of books – You pay not much – the authors get the money and so does a great charity. Win Win Win.

Writers and discipline. We chase it, revere it, get the apps, try the productivity short cuts. Harper Ross writes on Writer Unboxed about the discipline myth and what sustains us.

Lisa Norman has an excellent post on staying true to our unique voice. Over the years all the tools we have used to showcase our writing have changed but our unique voice hasn’t.

September Fawkes has a great post on misaligned characters wants and plot goals. When the character is acting against what they profess they want sets the scene for a weak plot or theme. How can you fix it?

In the Craft Section,

Secondary Characters- all the fun and less work- Laurie Schenebly Campbell

Choose a powerful foundation for POV -Lynette Burrows- Bookmark

Plot twists- crafting the unexpected- Tammy Burke-Bookmark

The power of connotation in picture books-Chelsea Tornetto- Bookmark

Enneagram for character development- K M Weiland – Bookmark

Reading like a writer- Michelle Barker

In the Marketing Section,

10 little known Substack features- Rachel Thompson

10 things I wish writers knew about marketing- Dan Blank- Bookmark

How to maximise being a podcast guest-Sandra Beckwith- Bookmark

What is book bundling and how does it work- Penny Sansevieri- Bookmark

Video marketing tips for authors- PR by the book

Audiobook marketing- Reedsy- Bookmark

To Finish,

It is mid way through the year. Where has the time gone? How are the writing goals?

If you are feeling down in the dumps, try a creativity date. Monica Cox has an interesting post on Angela and Becca’s website about the benefits of the artist date. You don’t need to date an artist you just need to make time for creativity, with no strings attached. Create for the sheer joy of creating.

Isn’t that why we started writing in the first place?

Maureen

@craicer

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If you want the weekly blog in your inbox subscribe to the Substack version.

If you like the blog and want to buy me a coffee, I appreciate the virtual coffee love. Thanks.

Photo by Nick Karvounis on Unsplash

Thursday, November 21, 2024

Looking for Rainbows!

In Publishing News this week,

Microsoft launched a non-fiction publishing arm publishing original research, ideas and insights from the intersection of science, technology, and business. Publisher’s Weekly reports on this venture that looks like a mashup of a research journal and a vanity imprint.

Sharjah International Book Fair clocks up nearly 2 million visitors. Publishing Perspectives looks at the huge impact of the fair.

Bologna is starting to ramp up its planning and guests five months out from the big children’s book fair scheduled for the end of March. With the roaring success of the Chinese Children’s Book Fair will they be implementing any new ideas?

There is a lot of comment around the news of the HarperCollins AI deal that has publishers and writers talking. Publishers Weekly looks in depth at the implications for agents and writers. Under the terms HC want to split 50/50 the pot of cash for allowing AI to scrape the book. Everybody has an opinion. Authors Guild has come out with their recommendation. Don’t take the money. Publishers have a different view, it looks so sweet and backlists are just sitting there.

Joanna Penn commented on her podcast that in the space of a year the mood of authors has changed around using AI tools. She is just back from Author Nation – the rebranded 20books Vegas conference (also known as the biggest writers conference in the world.) AI can offer shortcuts and great tools to help with mundane tasks but it shouldn’t be used to create the content.

Josh Bernoff writes about how his developmental editing business is being impacted by AI writing. It’s harder to edit AI generated content because it is inconsistent, repetitive, and a grammar mess. AI shouldn’t replace your own writing voice.

Meanwhile, after the election, the publishing industry is trying to make plans or sense of what might be coming down the track in the brave new world after January. Mark Williams of The New Publishing Standard details the lawsuits that face publishing from the president elect already and how this might be a sign of things to come. It looks like a lucrative time to be a lawyer.

Kathleen Schmidt from Publishing Confidential points out where publishing can learn from the election.

Jennie Liu writes about the authors note… that’s the page in your novel where you write about your influences. Readers love them… authors struggle.

Michelle Baker has a post on the five fears of writers and how to defeat them. (Don’t reach for the alcohol just yet.)

James Scott Bell reassures a young writer that writing can be good again in his excellent piece on writing past discouragement.

Ellen Buikema has a great post on Writers In The Storm about Writing Anxiety and how to overcome it.

Look after your mental health- give yourself healthy writing challenges, check in with your writing friends. Remember, you write so your readers can escape from stressful lives. You are vital to each other and the general population. Be the rainbow after the storm!