Thursday, February 20, 2020

Bad Actors


Today I was perusing Twitter for interesting writing links and I noticed that there was an online chat with Victoria Strauss from Writer Beware. What a super site. Victoria mentioned that it was started in 1998 with the late Ann Crispin. If you put #bookmarketingchat in the Twitter search box you can get a great rundown on the shonky clauses and bad hat operators out there in publishing land from today’s chat.

Chuck Wendig published a thoughtful piece on a trend he is seeing that he is NOT OK with. The soliciting of blurbs from authors for unpublished novels or novels on submission or before they have been edited. Blurbs for editors to take to acquisitions meetings??? So they’ll only publish if you’ve got fancy writer friends? (Not to mention shady opportunities.)

Agent Janet Reid has also highlighted a problem with agent persona theft that is happening.
If an agent is contacting you first… check up! Are they bona fide?

While we’re on bad ideas… Hugh Howey recently published a blog article where he describes the inertia of bad ideas in the writer’s room. He is taking part in a writer’s room for screenwriters at the moment and watching what happens when a writer gets an idea that proves to be bad and how everybody can get carried away trying to make it fit.

Kris Rusch has an interesting article this week on learning from watching horrible performances. What worked? What didn’t? Where was the point that the audience was lost? Now, how could you apply lessons learned in your manuscript?

Apparently, Google Play have made it easier to publish on their platform. After making it really hard last year that many aggregators gave up on them. I went hunting for an explanation and found this article by Publish Drive on how to get yourself into Google Play.

Meanwhile over in Sweden, The New Publishing Standard has a remarkable post today on the tipping point of digital versus print in their publishing landscape. The subscription model in the Nordic countries might be breathing life into the backlist but what about the printers…This makes the recent meeting of printers and publishers in the US have a lot more meaning for the future of print publishing.

Scribendi has put together their list of the 30 best writer’s websites in 2020. Take a look. There are some tried and true sites that have featured here over the years and some new ones you might like to explore.

Written Word Media has published a list of the top ten trends that 2020 will bring to publishing so be prepared. 

Have you heard of a Mary Sue? Do you know what it means? Are they the kiss of death in your novel? Litreactor takes a look at this writer/superhero stand in.

James Scott Bell is one of the better writing craft gurus around. This week he looks at the themes of The Kings Speech and what writers can learn from the way the beats were used to mine emotion in the film.

In The Craft Section,



Mapping story settings – Sara Letourneau


The a-z of novel writing- Writers Digest- (very creative)

In The Marketing Section,

Author websites- Jane Friedman- Bookmark


The perils of also boughts – Penny Sansevieri

A marketing roadmap – Insecure writers Support group – Bookmark

To Finish,

Write On Con is on this weekend! If you are interested in writing for children you need to check out this online conference. It is affordable… $10 and the range of presenters is top notch. The all you can eat feast of craft, workshops, pitching opportunities, marketing, illustrators, writers, Uncle Tom Cobbly and all schedule is here. (US eastern time)

Maureen
@craicer

If you want the best of my bookmarked links in a handy monthly newsletter, why don't you SUBSCRIBE and you will also get a nifty mini book crammed full with marketing notes as a thank you. The first newsletter of the year is going out soon.
If you like the blog and want to shout me a coffee, hit the coffee button up top. I appreciate the virtual coffee love. Thanks.


Pic: Salvador Dali- Not a Bad Actor but I couldn't resist that moustache! (photographer Phillippe Halsman 1942)

Thursday, February 13, 2020

How To Take Care Of Your Writer





This week the fallout continued with The Romance Writers Association of America. Things have gone from bad to worse in just a week with the current board resigning yesterday and calling for elections for an interim board. Many writers have resigned their memberships and many chapters have also tried to distance themselves from the ongoing mess.
With the high level of angst, anger and frustration around Romance land it’s time to look at writer self-care. Do you make time for yourself and incorporate it in your writing routine?
Shelley Wilson has a great article on understanding what writer self-care looks like and building it into your writing day.

Yesterday I saw a plea from an experienced writer who was asked to comment on a contract. The writer ended up spelling out what the contract was asking for. 
The term of the contract was the term of the copyright of the book, which (in NZ) is the life of the author plus fifty years. Don’t do that. Give the publisher first printing rights in English in North America, or limit the terms to something reasonable like five years not the rest of your life plus fifty years. 
The contract gave the publisher first option on any future books by the author. Seriously. Do you want to go back to that publishing company every time you write or are thinking of writing another book to see if they want to publish it?
The contract was not just for first printing rights, but for all derivative rights. Everything. Not just ebook. All languages, all countries, all formats including print, ebook, audiobook, film rights, everything. Another paragraph said that he basically didn’t get any say in what other editions were prepared- additional printing, book club edition, library edition, abridgements, adaptations, etc. 
The author was expected to provide contact info for famous people who would give blurbs, provide cover images, have the manuscript professionally proved before submission, etc.
Contracts are negotiable. Many writers are so happy to get one they never think about what they are signing. Kris Rusch pointed out in this week’s business post the problem of an IP holder going back over their assets and making an anthology audio book, twenty years later, without looking at the contracts of the anthology contributors.- Would writers even know that they were owed money?

This week Jami Gold wrote about reading recently published books in your genre. Are you doing this as part of your research? It sparked a lively discussion on her FB page. How recent is recent asked one person… I have seen agents say (this week) comp books must be under two years old. You should keep an eye on what is getting published in your genre just so you know what is being overdone.

Jonny B Truant and Sean Platt are the mouths of Sterling and Stone an indie powerhouse story studio. Recently they were interviewed by Forbes Magazine about their writing model. Take 15 writers and 150 books… This is another twist on the collaboration model.

Have you come across the ten commandments of writing? This is a nice mantra to share around your writing groups.

In The Craft Section,






In The Marketing Section,







To Finish,

How are your New Years resolutions writing goals going? Did I see a wince?
Debra Eckerling has a great post on rebooting your writing goals. Remember every day is a new day to begin something.

Maureen
@craicer

Do you want the best of my bookmarked links in a handy monthly newsletter?When you subscribe you will also get a nifty mini book crammed full with marketing notes as a thank you. If you like the blog and want to shout me a coffee, hit the coffee button up top. I appreciate the virtual coffee love. Thanks.


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