This week the fallout continued with The Romance Writers Association of America. Things have gone from bad to worse in just a week with the current board resigning yesterday and calling for elections for an interim board. Many writers have resigned their memberships and many chapters have also tried to distance themselves from the ongoing mess.
With the high level of angst, anger and frustration around Romance land it’s time to look at writer self-care. Do you make time for yourself and incorporate it in your writing routine?
Shelley Wilson has a great article on understanding what writer self-care looks like and building it into your writing day.
Yesterday I saw a plea from an experienced writer who was asked to comment on a contract. The writer ended up spelling out what the contract was asking for.
The term of the contract was the term of the copyright of the book, which (in NZ) is the life of the author plus fifty years. Don’t do that. Give the publisher first printing rights in English in North America, or limit the terms to something reasonable like five years not the rest of your life plus fifty years.
The contract gave the publisher first option on any future books by the author. Seriously. Do you want to go back to that publishing company every time you write or are thinking of writing another book to see if they want to publish it?
The contract was not just for first printing rights, but for all derivative rights. Everything. Not just ebook. All languages, all countries, all formats including print, ebook, audiobook, film rights, everything. Another paragraph said that he basically didn’t get any say in what other editions were prepared- additional printing, book club edition, library edition, abridgements, adaptations, etc.
The author was expected to provide contact info for famous people who would give blurbs, provide cover images, have the manuscript professionally proved before submission, etc.
Contracts are negotiable. Many writers are so happy to get one they never think about what they are signing. Kris Rusch pointed out in this week’s business post the problem of an IP holder going back over their assets and making an anthology audio book, twenty years later, without looking at the contracts of the anthology contributors.- Would writers even know that they were owed money?
This week Jami Gold wrote about reading recently published books in your genre. Are you doing this as part of your research? It sparked a lively discussion on her FB page. How recent is recent asked one person… I have seen agents say (this week) comp books must be under two years old. You should keep an eye on what is getting published in your genre just so you know what is being overdone.
Jonny B Truant and Sean Platt are the mouths of Sterling and Stone an indie powerhouse story studio. Recently they were interviewed by Forbes Magazine about their writing model. Take 15 writers and 150 books… This is another twist on the collaboration model.
Have you come across the ten commandments of writing? This is a nice mantra to share around your writing groups.
In The Craft Section,
Conflict – being offered the easy way out- Angela Ackerman
What your draft and its problems say about you- Lithub- Bookmark
6 Lifestyle habits for becoming a better writer- Michael Bjork
Lessons learned from writing short stories – Writers in the Storm
Character archetypes- Disruptor underdog- DIYMFA- Bookmark
In The Marketing Section,
3 reasons authors need a content strategy- Abbie Mood
Tips for using Instagram for the author- Bookbub- Bookmark
3 ways to turn your readers into diehard fans- Dave Chesson
Alternative ways to sell fiction- Bookbaby- Bookmark
Marketing techniques for indie authors- Bound to writing
How are your New Years resolutions writing goals going? Did I see a wince?
Debra Eckerling has a great post on rebooting your writing goals. Remember every day is a new day to begin something.
Pic: Flickr Creative Commons – Heather Kaweck