Creating Plan B

Last week the blogosphere was filled with reaction to Hugh Howey’s new website in aid of authors. Hugh got what he wanted, lots of dialogue...lots and lots of dialogue.

Discussion was everywhere. Porter Anderson took a look at what was being said... all sides of the report are being debated (tho interestingly very few traditionally published authors are saying anything at all.)

Last week Hugh’s first report looked at the top selling genre’s. This weeks report he takes a whopping 54,000 sample snapshot and looks at the other genres including childrens books (not YA)

Ebooks are not big in the children’s publishing world, compared to the numbers you see out there for adult genre titles, so it is interesting to get a little look into what might be around the corner.

This week, a friend who teaches in a not very affluent school, down the road, noted that all her kids had ipads and she was looking for good reading apps to download onto them. I would be very interested in seeing the numbers of Educational and Story Apps out there... and I wonder if Transmedia is where children’s publishing may be heading rather than an ebook take up.

Print is still king in the children’s publishing world despite what Hugh says. 

Interesting times...

Among the debates around the reports are the increasing recognition that Hybrid authors (who straddle Trad and Indie) are doing OK. Jami Gold takes a look at this in a very interesting post on hybrid authors and small publishers. 

Julie Muesil guest, Alex Cavanaugh looks at the small publisher side of the equation.

Yahoo Finance blog also weighs in with a publishing is not dying post.

Writer Unboxed has a must read post on Plan B when the career/contract/book dream seems over.

Chuck has written his final post on the subject of selfpublishing... and the report. (usual warnings) He has a great conclusion  ‘We should demand the best and most beautiful of one another. Not encourage the worst and ugliest.’

Passive Guy took some time out to look at a contract story that had the publisher say to the negotiator – You don’t like the contract –self publish...in other words, I aint gonna change it. This brings up all sorts of issues- Take a look.

In Craft,

Elisabeth S Craig looks at the pro’s and con’s of outlining. (I agree with her)

K M Weiland looks at the Antagonist needing a mushy moment...(say what?)

Janice Hardy Looks at what a good proof reader can do for you...(yes yes yes)

Archetypes Vs Stereotypes and Do you know the difference???

5 Voice Tools to help you write without a keyboard...(I’m trying out Evernote)

In Marketing,

One comprehensive post... Seven strategies and over 100 links to find readers and reviewers

The incomparable Kris Rusch (who’s Retrieval Agent story I just raced through) has Part 9 on her 

Discoverability series of marketing blogposts and it is a bookmark read...as is all the others in her series.

Janet Reid Lit Agent explains (begs) how to do a book comparison in a query properly.

Website: The 2nd Indie ReCon Free Online Conference is on next week. 10,000 people dropped in last year... and it was an amazing line up. Check out this years line up and try to catch it. Everything Indie.

To Finish,

Creativity is the one thing we fall back on in our writing... we need to be creative.

Here are two posts on Creativity - 3 Career Investments Every Creative Should Be Making and The Seven Stages Of Creativity -a new perspective on writing a book.

maureen

Pic from Flickr Creative Commons /Evelyn Giggles

Hugh and Cry Revolt

Last week, buried in the middle of my blog post were these lines.

Yesterday Icelandic author Baldur Bjarnason wrote a great piece on ethics in publishing. This is a great observation on what a lot of commentators are seeing as the great divide between the two different publishing communities.

Hands up those people who can tell me what the two communities are....hmmmm.

Today, in a breaking news bombshell, those communities just got wider with a new website launched and funded by Hugh Howey looking specifically at crunching the data on publishing stats and earnings for Self Publishing and Hybrid authors. 

For those of you who don’t understand what this means...

If you have a Traditional publishing contract. Your book gets published...you may get an advance. You may get up to 10% net of print price or up to 25% ebook price. You may get a quarterly statement on how sales are going but no other information. The marketing window for your book is usually 6 months...that’s 2 months before publication and 4 months after. After that the publisher is onto the next book and any blip in sales comes from author promotion. In the fine print of your book contract there may be a non-compete clause, you can’t publish with anyone else or anything else except the publisher. Your rights may be held in perpetuity (US law is the lifetime of the author plus 70 years) with no rights reversal clauses.

If you choose to self publish you may get up to 70% of ebook price with Amazon and whatever you set the profit of the book, after your costs have been taken out, on print. You do all the marketing work for as long as you want to.

In both models the author doesn’t really know what they are doing right or wrong with marketing. Data on what works and how different publishing models are successful is very thin on the ground.

From time to time surveys come out with data that says how well self publishing is doing against traditional publishing. I have linked to a few over the last few years in my blog. 

The ebook market where most authors self publish has been on the up. 

Today Hugh Howey’s report was released looking at raw data that crunched the numbers of the biggest selling genres (romance, sci-fi/fantasy and thriller/suspense) on Amazon on one day. 92% of the top 100 genre bestsellers were ebooks. Indie authors were outselling Traditional Big 5 authors in these categories. 

There are many bombs in this report. Porter Anderson does a good job of looking at them and extrapolating ideas but you should read the report for yourself. Hugh is the leading voice in the Indie author community at the moment. He is advocating a change to fairer contracts for authors and a partnership model with publishers. Below is his mission statement for the AuthorEarnings website.

Welcome to AuthorEarnings, where our purpose is to gather and share information so that writers can make informed decisions. Our secondary mission is to call for change within the publishing community for better pay and fairer terms in all contracts. This is a website by authors and for authors.

Two weeks ago he made it very clear just exactly what he thinks author contracts should consist of and what he thinks author societies should be advocating.

So after a few hours digesting The Report, Digital BookWorld weighed in with their analysis and they took issue with the one day data and the extrapolation thereof... however they also agreed that there was something rotten in the state of ....

Now Hugh is the first to say that this is one day...on Amazon... in January... and he is keen to have that dialogue from other authors on their experiences (see the website for ways to contribute to the discussion.) Steve Moseby takes up the challenge, he looks at the figures from The Report and wonders whether they are true based on his UK print figures and annual income after only one days data.

In Other News

Passive Guy sends out a warning over a contractual clause where any future law changes in any territory in the world will be the problem of the author. This, after an author was accused of blasphemy, following the passing of a law in India after her book was published. It all hinges on the word ‘will.’ He follows that up with another post on contracts. (As he is a lawyer he doth know what he speaks of.)

Cassandra Clare is tired of the constant carping of some who keep asking why she is still writing her book series ... she notes that male authors don’t get asked this. A thoughtful restrained response from a YA author.

In the Craft Section,

LiveWriteThrive on compelling novels centering on the goalof the protagonist.

Victoria Mixon on 3 tricks to increase tension.

How many characters should a book have?

What is more important Plot or Character Development?

KillZone Authors on pumping up your creativity.

5 big screenwriting mistakes and 5 fixes...(this is a bookmark post!)

How to organise writing ideas.

In the Marketing Section,

Jami Gold - A newbies guide to self publishing.

Goodreads strategies to increase sales.

K M Weiland - Story Cartel...how she got 50 + positive reviews (great review site)

Joanna Penn- On creating stronger bonds with readers.

Julie Musil - On connecting charities with books...this is a great post!

CreativeIndie on 300 cool fonts to use on book covers.

To Finish,

Hugh Howey again... He responds to a writer who has decided not to be tainted with self publishing because the goal is to emulate his heroes and publish the same way. A very interesting read and response by Hugh.

maureen

 Pic is from Passive Voices new range of tee shirts...check them out and chuckle... and maybe buy one or two.